The Rembrandt BookHarry N. Abrams, 8 nov 2006 - 384 pagina's With international attention focused on the 400th anniversary of Rembrandt von Rijn's birth, the world's leading Rembrandt expert weighs in with a penetrating -- and accessible -- examination of the Dutch master's life and art from both the biographical and the art historical perspective. Rembrandt was an esteemed artist in his own time as well as in the present, yet there is much debate over how many paintings and drawings can really be attributed to him, and popular scholastic opinion varies widely. In his lively text, accompanied by 700 full-color illustrations, Gary Schwartz addresses the central controversies, providing art historians, students, and art lovers with essential new insights to help clarify the mysteries surrounding the great painter. |
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Pagina 81
... plates , Erik Hinterding , found hammer marks on the back of the plate of Jacob caressing Benjamin , " mainly in the lower half , partly corresponding to a reworked area in front of the right feet " of the figures.'4 This implies that ...
... plates , Erik Hinterding , found hammer marks on the back of the plate of Jacob caressing Benjamin , " mainly in the lower half , partly corresponding to a reworked area in front of the right feet " of the figures.'4 This implies that ...
Pagina 82
... plate is counted as the first state . ( Not until 1969 did White and Boon demonstrate that the undivided plate had two states . ) Paper is more patient than metal . From around 1633 , we have a sheet from Rembrandt's workshop in which ...
... plate is counted as the first state . ( Not until 1969 did White and Boon demonstrate that the undivided plate had two states . ) Paper is more patient than metal . From around 1633 , we have a sheet from Rembrandt's workshop in which ...
Pagina 83
... plate where he has drawn . The plate is then either laid in an acid bath , or else held at an angle while acid is poured over it a number of times . Each etcher will experiment with the composition and strength of his acid and the man ...
... plate where he has drawn . The plate is then either laid in an acid bath , or else held at an angle while acid is poured over it a number of times . Each etcher will experiment with the composition and strength of his acid and the man ...
Veelvoorkomende woorden en zinsdelen
album Amstel Amsterdam anatomy lesson Anslo artist Bakker Bartsch Benesch Bible Bredius Brown ink burgomaster Canvas century chalk Christ Claudius Civilis collection collector commission Constantijn Huygens depicted documents drawings drypoint Dutch Engraving etchings Ferdinand Bol figures Flinck Frederik Hendrik Gemäldegalerie Gemäldegalerie Alte Meister Govert Flinck guild guilders Haarlem Hague Hendrick history painting Hoogstraten ink and wash Inscribed Rembrandt Inscribed RHL inscription inventory Jacob Jan Lievens Jan Six Jewish Jews Kassel kind Kloveniersdoelen Leiden master Mauritshuis Mennonite merchant motifs Musée National Gallery Netherlands Nicolaes Tulp Night watch Omval painted by Rembrandt painter Panel Passion patron Pieter Lastman plate poem poet portrait pupil Rembrandt Detail Rembrandt House Rembrandt painted Rembrandt Self-portrait Remonstrant Rijksmuseum Rubens Saskia scene Schrevelius Schwartz Scriverius shows Sint sitters Staatliche Museen stadholder Teylers Museum Thijsz tion Titus town hall undated Unsigned Uylenburgh wife woman Wtenbogaert