The Rembrandt BookHarry N. Abrams, 8 nov 2006 - 384 pagina's With international attention focused on the 400th anniversary of Rembrandt von Rijn's birth, the world's leading Rembrandt expert weighs in with a penetrating -- and accessible -- examination of the Dutch master's life and art from both the biographical and the art historical perspective. Rembrandt was an esteemed artist in his own time as well as in the present, yet there is much debate over how many paintings and drawings can really be attributed to him, and popular scholastic opinion varies widely. In his lively text, accompanied by 700 full-color illustrations, Gary Schwartz addresses the central controversies, providing art historians, students, and art lovers with essential new insights to help clarify the mysteries surrounding the great painter. |
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Pagina 124
... pupil on 14 February 1628. Although he was only fifteen years old at the time , Dou already had an impressive period ... pupil . That is , the dyed - in - the - wool profes- 214 Rembrandt pupil , perhaps Constantijn à Renesse , corrected ...
... pupil on 14 February 1628. Although he was only fifteen years old at the time , Dou already had an impressive period ... pupil . That is , the dyed - in - the - wool profes- 214 Rembrandt pupil , perhaps Constantijn à Renesse , corrected ...
Pagina 125
... pupil Rest on the flight into Egypt Unsigned. dicerite Inthening getout B 68 བ 4 sional who lived and breathed art and nothing but art . The kind of instruction Dou underwent has been compared by Ernst van de Wetering with the training ...
... pupil Rest on the flight into Egypt Unsigned. dicerite Inthening getout B 68 བ 4 sional who lived and breathed art and nothing but art . The kind of instruction Dou underwent has been compared by Ernst van de Wetering with the training ...
Pagina 126
... pupil drawing corrected by the master . This practice is recommended emphatically by Samuel van Hoogstraten , especially with regard to improving com- position . A drawing of a lion in the British Museum is an example ( fig . 214 ) ...
... pupil drawing corrected by the master . This practice is recommended emphatically by Samuel van Hoogstraten , especially with regard to improving com- position . A drawing of a lion in the British Museum is an example ( fig . 214 ) ...
Veelvoorkomende woorden en zinsdelen
album Amstel Amsterdam anatomy lesson Anslo artist Bakker Bartsch Benesch Bible Bredius Brown ink burgomaster Canvas century chalk Christ Claudius Civilis collection collector commission Constantijn Huygens depicted documents drawings drypoint Dutch Engraving etchings Ferdinand Bol figures Flinck Frederik Hendrik Gemäldegalerie Gemäldegalerie Alte Meister Govert Flinck guild guilders Haarlem Hague Hendrick history painting Hoogstraten ink and wash Inscribed Rembrandt Inscribed RHL inscription inventory Jacob Jan Lievens Jan Six Jewish Jews Kassel kind Kloveniersdoelen Leiden master Mauritshuis Mennonite merchant motifs Musée National Gallery Netherlands Nicolaes Tulp Night watch Omval painted by Rembrandt painter Panel Passion patron Pieter Lastman plate poem poet portrait pupil Rembrandt Detail Rembrandt House Rembrandt painted Rembrandt Self-portrait Remonstrant Rijksmuseum Rubens Saskia scene Schrevelius Schwartz Scriverius shows Sint sitters Staatliche Museen stadholder Teylers Museum Thijsz tion Titus town hall undated Unsigned Uylenburgh wife woman Wtenbogaert