The Rembrandt BookHarry N. Abrams, 8 nov 2006 - 384 pagina's With international attention focused on the 400th anniversary of Rembrandt von Rijn's birth, the world's leading Rembrandt expert weighs in with a penetrating -- and accessible -- examination of the Dutch master's life and art from both the biographical and the art historical perspective. Rembrandt was an esteemed artist in his own time as well as in the present, yet there is much debate over how many paintings and drawings can really be attributed to him, and popular scholastic opinion varies widely. In his lively text, accompanied by 700 full-color illustrations, Gary Schwartz addresses the central controversies, providing art historians, students, and art lovers with essential new insights to help clarify the mysteries surrounding the great painter. |
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Pagina 66
... studio Rembrandt's evocations of the artist in the studio show single figures alone with their thoughts or with a model . The reality was busier , more dynamic and more problematic . The houses where Rembrandt lived were also the houses ...
... studio Rembrandt's evocations of the artist in the studio show single figures alone with their thoughts or with a model . The reality was busier , more dynamic and more problematic . The houses where Rembrandt lived were also the houses ...
Pagina 67
... studio , a special place is taken by Svetlana Alpers's book - length treatment of that environment , in Alpers 1988 . Ca. 1626 Panel , 25 x 32 cm . Bredius. Compared with Houbraken's painting , the images of Rembrandt's studio , by him ...
... studio , a special place is taken by Svetlana Alpers's book - length treatment of that environment , in Alpers 1988 . Ca. 1626 Panel , 25 x 32 cm . Bredius. Compared with Houbraken's painting , the images of Rembrandt's studio , by him ...
Pagina 89
... studio Inscribed ( by artist ? ) G. Dou 1635 Panel , 92.5 x 74 cm . Private collection A canvas would be painted either tied to a stretcher or nailed to a plank . Christ at Emmaus , ca. 1628 ( Paris , Musée Jacquemart - André ; Bredius ...
... studio Inscribed ( by artist ? ) G. Dou 1635 Panel , 92.5 x 74 cm . Private collection A canvas would be painted either tied to a stretcher or nailed to a plank . Christ at Emmaus , ca. 1628 ( Paris , Musée Jacquemart - André ; Bredius ...
Veelvoorkomende woorden en zinsdelen
album Amstel Amsterdam anatomy lesson Anslo artist Bakker Bartsch Benesch Bible Bredius Brown ink burgomaster Canvas century chalk Christ Claudius Civilis collection collector commission Constantijn Huygens depicted documents drawings drypoint Dutch Engraving etchings Ferdinand Bol figures Flinck Frederik Hendrik Gemäldegalerie Gemäldegalerie Alte Meister Govert Flinck guild guilders Haarlem Hague Hendrick history painting Hoogstraten ink and wash Inscribed Rembrandt Inscribed RHL inscription inventory Jacob Jan Lievens Jan Six Jewish Jews Kassel kind Kloveniersdoelen Leiden master Mauritshuis Mennonite merchant motifs Musée National Gallery Netherlands Nicolaes Tulp Night watch Omval painted by Rembrandt painter Panel Passion patron Pieter Lastman plate poem poet portrait pupil Rembrandt Detail Rembrandt House Rembrandt painted Rembrandt Self-portrait Remonstrant Rijksmuseum Rubens Saskia scene Schrevelius Schwartz Scriverius shows Sint sitters Staatliche Museen stadholder Teylers Museum Thijsz tion Titus town hall undated Unsigned Uylenburgh wife woman Wtenbogaert