Talking Voices: Repetition, Dialogue, and Imagery in Conversational DiscourseCambridge University Press, 18 okt 2007 Written in readable, vivid, non-technical prose, this book, first published in 2007, presents the highly respected scholarly research that forms the foundation for Deborah Tannen's best-selling books about the role of language in human relationships. It provides a clear framework for understanding how ordinary conversation works to create meaning and establish relationships. A significant theoretical and methodological contribution to both linguistic and literary analysis, it uses transcripts of tape-recorded conversation to demonstrate that everyday conversation is made of features that are associated with literary discourse: repetition, dialogue, and details that create imagery. This second edition features a new introduction in which the author shows the relationship between this groundbreaking work and the research that has appeared since its original publication in 1989. In particular, she shows its relevance to the contemporary topic 'intertextuality', and provides a useful summary of research on that topic. |
Overige edities - Alles bekijken
Talking Voices: Repetition, Dialogue, and Imagery in Conversational Discourse Deborah Tannen Geen voorbeeld beschikbaar - 2007 |
Talking Voices: Repetition, Dialogue, and Imagery in Conversational Discourse Deborah Tannen Geen voorbeeld beschikbaar - 2007 |
Veelvoorkomende woorden en zinsdelen
American another’s audience automatic Bakhtin Bateson Becker chad chapter cheese and crackers chiasmus common ground communication constructed dialogue context conversation analysis conversational discourse create involvement cultural deborah Deborah Tannen describes discourse analysis discussion dramatic emotional evaluation example excerpt expressions fiction formula frame frame semantics genre Gregory Bateson Gumperz hearer idea images individual interaction interpersonal involvement intertextuality intonation involvement strategies Jackson Jesse Jackson Joan Silber King’s language linguistic listener literary discourse Mary Catherine Bateson meaning metaphor modern Greek mother narrative novel observation Oliver Sacks one’s participants particular pattern person Peter phrase poetic prepatterned prosody quonset huts readers reference relationship repeated repetition in conversation reported speech represent rhythm Sacks scene Scollon segment sense sensemaking sound speaker speaking spoken Steve story storytelling suggests Sylvia Plath talk Tannen telling term tion told transcript understanding utterance Ventriloquizing voice words writing Yeah
Populaire passages
Pagina 89 - I say to you, my friends, that even though we must face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream that one day this nation will rise up and live out the true meaning of its creed — we hold these truths to be self-evident, that all men are created equal.
Pagina 89 - I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
Pagina 89 - And if America is to be a great nation, this must become true. So, let freedom ring from the prodigious hill tops of New Hampshire. Let freedom ring from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania. Let freedom ring from the snowcapped Rockies of Colorado. Let freedom ring from the curvaceous slopes of California.
Pagina 31 - Language can also be compared with a sheet of paper: thought is the front and the sound the back; one cannot cut the front without cutting the back at the same time; likewise in language, one can neither divide sound from thought nor thought from sound; the division could be accomplished only abstractedly, and the result would be either pure psychology or pure phonology.
Pagina 22 - A change in footing implies a change in the alignment we take up to ourselves and the others present as expressed in the way we manage the production or reception of an utterance.
Pagina 208 - We hate poetry that has a palpable design upon us — and if we do not agree, seems to put its hand in its breeches pocket. Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself, but with its subject.
Pagina 61 - I began to get enormously interested in hearing how everybody said the same thing over and over again with infinite variations but over and over again until finally if you listened with great intensity you could hear it rise and fall and tell all that that there was inside them, not so much by the actual words they said or the thoughts they had but the movement of their thoughts and words endlessly the same and endlessly different.
Pagina 104 - The following must be kept in mind: that the speech of another, once enclosed in a context, is — no matter how accurately transmitted — always subject to certain semantic changes. The context embracing another's word is responsible for its dialogizing background, whose influence can be very great.
Pagina 92 - STANLEY (advancing): They're coming today. MEG: Who? STANLEY: They're coming in a van. MEG: Who? STANLEY: And do you know what they've got in that van? MEG: What? STANLEY: They've got a wheelbarrow in that van. MEG (breathlessly): They haven't. STANLEY: Oh yes they have. MEG: You're a liar. STANLEY (advancing upon her): A big wheelbarrow. And when the van stops they wheel it out, and they wheel it up the garden path, and then they knock at the front door. MEG: They don't. STANLEY: They're looking...
Verwijzingen naar dit boek
Introduction to Systemic Functional Linguistics: 2nd Edition Suzanne Eggins Gedeeltelijke weergave - 2004 |