"The Sins of Madame Eglentyne", and Other Essays on ChaucerThe essays in this single-author collection are principally concerned with Madame Eglentyne, the demure and elegant prioress depicted in Chaucer's Canterbury Tales. Richard Rex contends that how we think about Chaucer as a Christian depends largely on our interpretation of the Prioress's Tale, which in turn is linked to the brilliant portrait of Madame Eglentyne in the General Prologue. While each essay can stand alone in that Rex has approached Madame Eglentyne and her tale with a number of different considerations in mind, together they contribute to our understanding of this Canterbury pilgrim in important ways. Scholars lament the fact that Chaucer refrains from stating opinions - that he seems to have no axes to grind, never chooses sides, and always defers to the authority of others. In the Prioress's Tale, however, Chaucer reveals more of his moral thought than in any of his other works, for in this tale he juxtaposes the theme of martyrdom and vengeance with Christ's crucifixion and the concept of charity. |
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Pagina 34
3 Pastiche as Irony in the Prioress's Prologue and Tale The Prioress's prologue strikes many readers as a pure effusion of spirituality , although one twentieth - century religious thinks that " the last stanza , with its lines of ...
3 Pastiche as Irony in the Prioress's Prologue and Tale The Prioress's prologue strikes many readers as a pure effusion of spirituality , although one twentieth - century religious thinks that " the last stanza , with its lines of ...
Pagina 37
10 If pastiche is the genre of the Prioress's Tale ( and , it follows , of her prologue ) , it seems to me that Chaucer was using it not only to elicit our " technical admiration ” but also for purposes of dramatic irony .
10 If pastiche is the genre of the Prioress's Tale ( and , it follows , of her prologue ) , it seems to me that Chaucer was using it not only to elicit our " technical admiration ” but also for purposes of dramatic irony .
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25 I would modify this assertion only to add that pastiche also is intended in the Prioress's prologue and that the prologue plays a significant role in joining the satiric portrait of the Prioress begun in the General Prologue to the ...
25 I would modify this assertion only to add that pastiche also is intended in the Prioress's prologue and that the prologue plays a significant role in joining the satiric portrait of the Prioress begun in the General Prologue to the ...
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Inhoudsopgave
Chaucer and the Jews | 13 |
Chaucers Censured Ballads | 27 |
1 | 30 |
Copyright | |
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According Ages allusion appears assume ballads Bankside believe Bernard Bishop Book brothels called Cambridge Canterbury century charity Chaucer Christ Christian Church Cited Clarendon Press color concerning conscience considered convent criticism described discussion diss dogs Edition EETS England English Studies evidence example eyes fact follows fourteenth fourteenth-century French Friar garden given Gower grace green grey haue Henry holy houses Institute intended irony James Jews John John Wyclif late lines Literature London Madame Manuscripts Mary meaning medieval Michigan Middle English monks Notes nuns Oxford Paul Persius Ph.D poems points popular portrait practice pride Prioress Prioress's Tale Prologue punishment readers reason recognize records reference religious Richard Robert Rose Saint satiric sermon simply singing sins Soule Speculum Studies suggests symbolism Text Thomas tion tradition trans translation University Press vair vols writes Wyclif York žat
Bibliografische gegevens
| Titel | "The Sins of Madame Eglentyne", and Other Essays on Chaucer |
| Auteur | Richard Rex |
| Uitgever | University of Delaware Press, 1995 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 6 maart 2008 |
| ISBN | 0874135672, 9780874135671 |
| Lengte | 201 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |