"The Sins of Madame Eglentyne", and Other Essays on ChaucerThe essays in this single-author collection are principally concerned with Madame Eglentyne, the demure and elegant prioress depicted in Chaucer's Canterbury Tales. Richard Rex contends that how we think about Chaucer as a Christian depends largely on our interpretation of the Prioress's Tale, which in turn is linked to the brilliant portrait of Madame Eglentyne in the General Prologue. While each essay can stand alone in that Rex has approached Madame Eglentyne and her tale with a number of different considerations in mind, together they contribute to our understanding of this Canterbury pilgrim in important ways. Scholars lament the fact that Chaucer refrains from stating opinions - that he seems to have no axes to grind, never chooses sides, and always defers to the authority of others. In the Prioress's Tale, however, Chaucer reveals more of his moral thought than in any of his other works, for in this tale he juxtaposes the theme of martyrdom and vengeance with Christ's crucifixion and the concept of charity. |
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Pagina 44
... then from the notoriety given to it by French romances . Indeed it appears so frequently in this literature that one critic has termed it “ a romance convention whose particular purpose was to thrill the reader .
... then from the notoriety given to it by French romances . Indeed it appears so frequently in this literature that one critic has termed it “ a romance convention whose particular purpose was to thrill the reader .
Pagina 70
This explanation was given wide dissemination in Muriel Bowden's popular Commentary on the General Prologue to the Canterbury Tales , first published in 1948 , and has been accepted by every modern editor troubling to gloss this line .
This explanation was given wide dissemination in Muriel Bowden's popular Commentary on the General Prologue to the Canterbury Tales , first published in 1948 , and has been accepted by every modern editor troubling to gloss this line .
Pagina 102
These scraps were to be collected and handed to the almoner to be given to the poor at the abbey gate . ... We see now why hounds were forbidden ; not because hunting was forbidden ... but because the hounds ate the scraps which were ...
These scraps were to be collected and handed to the almoner to be given to the poor at the abbey gate . ... We see now why hounds were forbidden ; not because hunting was forbidden ... but because the hounds ate the scraps which were ...
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Inhoudsopgave
Chaucer and the Jews | 13 |
Chaucers Censured Ballads | 27 |
1 | 30 |
Copyright | |
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According Ages allusion appears assume ballads Bankside believe Bernard Bishop Book brothels called Cambridge Canterbury century charity Chaucer Christ Christian Church Cited Clarendon Press color concerning conscience considered convent criticism described discussion diss dogs Edition EETS England English Studies evidence example eyes fact follows fourteenth fourteenth-century French Friar garden given Gower grace green grey haue Henry holy houses Institute intended irony James Jews John John Wyclif late lines Literature London Madame Manuscripts Mary meaning medieval Michigan Middle English monks Notes nuns Oxford Paul Persius Ph.D poems points popular portrait practice pride Prioress Prioress's Tale Prologue punishment readers reason recognize records reference religious Richard Robert Rose Saint satiric sermon simply singing sins Soule Speculum Studies suggests symbolism Text Thomas tion tradition trans translation University Press vair vols writes Wyclif York žat