"The Sins of Madame Eglentyne", and Other Essays on ChaucerThe essays in this single-author collection are principally concerned with Madame Eglentyne, the demure and elegant prioress depicted in Chaucer's Canterbury Tales. Richard Rex contends that how we think about Chaucer as a Christian depends largely on our interpretation of the Prioress's Tale, which in turn is linked to the brilliant portrait of Madame Eglentyne in the General Prologue. While each essay can stand alone in that Rex has approached Madame Eglentyne and her tale with a number of different considerations in mind, together they contribute to our understanding of this Canterbury pilgrim in important ways. Scholars lament the fact that Chaucer refrains from stating opinions - that he seems to have no axes to grind, never chooses sides, and always defers to the authority of others. In the Prioress's Tale, however, Chaucer reveals more of his moral thought than in any of his other works, for in this tale he juxtaposes the theme of martyrdom and vengeance with Christ's crucifixion and the concept of charity. |
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Pagina 68
Blue , after all , was Mary's color - the color of heaven - ubiquitous in religious contexts such as Pearl , Usk's Testament of Love ( II , xii , 45-47 ) , The Castle of Love , Julian of Norwich's Book of Showings ( reflecting on the ...
Blue , after all , was Mary's color - the color of heaven - ubiquitous in religious contexts such as Pearl , Usk's Testament of Love ( II , xii , 45-47 ) , The Castle of Love , Julian of Norwich's Book of Showings ( reflecting on the ...
Pagina 97
With incomparable irony Chaucer informs us that moral worth cannot be measured by wealth , social standing , or religious habit . Although the tales function obviously as a mirror of society , the allegorical aspect of the pilgrimage ...
With incomparable irony Chaucer informs us that moral worth cannot be measured by wealth , social standing , or religious habit . Although the tales function obviously as a mirror of society , the allegorical aspect of the pilgrimage ...
Pagina 103
According to Florence Ridley , the Prioress's tears show that her maternal instincts and love have not been “ stified ” by a religious vocation : “ It is by those very tears that Chaucer most clearly shows that her religious vocation ...
According to Florence Ridley , the Prioress's tears show that her maternal instincts and love have not been “ stified ” by a religious vocation : “ It is by those very tears that Chaucer most clearly shows that her religious vocation ...
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Inhoudsopgave
Chaucer and the Jews | 13 |
Chaucers Censured Ballads | 27 |
1 | 30 |
Copyright | |
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