Select British Classics, Volume 22J. Conrad, 1803 |
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Pagina 1
... passion becomes weak in proportion as it is familiar with its object . Evil must be considered as the object of fear ; but the passion is excited only when we are in danger . As the same evil may become probable many ways there are ...
... passion becomes weak in proportion as it is familiar with its object . Evil must be considered as the object of fear ; but the passion is excited only when we are in danger . As the same evil may become probable many ways there are ...
Pagina 23
... passion , which is excit- ed by the sufferings of persons with whom we have no tender connection , and with whose welfare the stronger passions have not united our felicity ; for no man would call the anguish of a mother , whose infant ...
... passion , which is excit- ed by the sufferings of persons with whom we have no tender connection , and with whose welfare the stronger passions have not united our felicity ; for no man would call the anguish of a mother , whose infant ...
Pagina 44
... passions with which it is agitated , are more forcibly expressed , than by the long and laboured speech , enumerating ... passion prompts each short , expressive speech : Or silence paints what words can never reach . J. W. When Jocasta ...
... passions with which it is agitated , are more forcibly expressed , than by the long and laboured speech , enumerating ... passion prompts each short , expressive speech : Or silence paints what words can never reach . J. W. When Jocasta ...
Inhoudsopgave
In what arts the ancients excelled the moderns 134 | 7 |
a vision | 17 |
The story of Desdemona concluded | 28 |
15 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
acquainted ADVENTURER affection Almet appearance ardour bagnio battle of Fontenoy beauty burlesque Caprinus cause censure character Clodio conceal considered Cordelia countenance danger daugh daughters DECEMBER 29 delight desire diamonds sparkle disappointed discovered distress dreadful DRYDEN enquire entreated equal Euripides Euryalus evil eyes father fear felicity Flavilla fortune frequently gentleman Gonerill gratify guilt hand happiness hast heart Hilario honour hope hour imagination impatient insensibility kind knew labour lady Lear less look mankind ment Mercator Mercator's mind misery morning nature never night NOVEMBER 27 obtain OVID passion Peleus perceived person pity pleasure Posidippus possession present primus ab produced reason received reflected Regan riety scarce scene sensibility servant shew sometimes soon Sophocles suffered superaddition tears Telephus tenderness thee things thou thought tion told truth TUESDAY utmost VIRG virtue wife wish wretch writer