The Pub in Literature: England's Altered StateManchester University Press, 2000 - 294 pagina's Tracing the roles of the drinking house in literature from Chaucer's Tabard to Martin Amis' Black Cross, this study takes in Falstaff's Boars Head and the numerous inns and public houses of Dickens, along with lesser known works where the drinking place is central. |
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Pagina 61
... never does get to defend himself . Once cut off , Hal's distancing from him is continued because in the next scene Hal reveals his true , honourable intentions to his father , with no apparent connection to the previous scene . Hal can ...
... never does get to defend himself . Once cut off , Hal's distancing from him is continued because in the next scene Hal reveals his true , honourable intentions to his father , with no apparent connection to the previous scene . Hal can ...
Pagina 141
... never gets to see any town excitement ( London ) , and that ' Here we live in an old rumbling mansion , that looks for all the world like an inn , but that we never see company.'37 The second contribution to plausibility follows in the ...
... never gets to see any town excitement ( London ) , and that ' Here we live in an old rumbling mansion , that looks for all the world like an inn , but that we never see company.'37 The second contribution to plausibility follows in the ...
Pagina 173
... never been a highly thought - of work , no doubt because it lacks any striking poetics , is condescending to its hero and has a mediocre narrative . If it is meant to be a light - hearted piece , it never quite strikes the right note ...
... never been a highly thought - of work , no doubt because it lacks any striking poetics , is condescending to its hero and has a mediocre narrative . If it is meant to be a light - hearted piece , it never quite strikes the right note ...
Inhoudsopgave
Introduction | 1 |
Early doors | 18 |
The Falstaffian state | 45 |
Copyright | |
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alehouse already appears argues associations attempt ballad becomes beer begins body called century character classes comes common continues culture described Dickens drinking places drunk drunkenness early England English evidence fact Falstaff Fielding George given gives Head Henry Ibid idea inns interest John kind later letter lines literary literature lives London look Lord lower means moral narrative narrator nature never night notes novel observation offers once opening past Pepys perhaps play poem political present Press provides public house reader reason reference remains represent respectable role says scene seen sense Shakespeare shows social society space story suggests symbolic tavern tells temperance things turn University usual Ward whilst whole wine women writing
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Shakespeare on the Edge: Border-crossing in the Tragedies and the Henriad Lisa Hopkins Geen voorbeeld beschikbaar - 2005 |