Social Formation and Symbolic LandscapeUniv of Wisconsin Press, 1998 - 293 pagina's Hailed as a landmark in its field since its first publication in 1984, Denis E. Cosgrove's Social Formation and Symbolic Landscape has been influential well beyond geography. It has continued to spark lively debate among historians, geographers, art historians, social theorists, landscape architects, and others interested in the social and cultural politics of landscape. |
Inhoudsopgave
Good Government in Town and Country detail | 1 |
The Idea of Landscape | 13 |
Theoretical | 39 |
City Country | 69 |
Christ Giving St Peter the Keys to the Kingdom | 92 |
Venice the Veneto and Sixteenthcentury | 102 |
The Feast of Gods Giovanni Bellini | 124 |
Loggia of the Palazzo della Ragione the | 130 |
Storm in the Mountains Albert Bierstadt | 187 |
Prospects Palladianism | 189 |
Yester House East Lothian View from the South | 195 |
The Bowling Green Rousham House Oxfordshire | 202 |
Laidout wall plan for the House of Commons | 208 |
Landscape and Industrial | 223 |
Petworth Park Tillington Church in the Distance | 240 |
Debris Curvature John Ruskin | 246 |
Villa Godi Lonedo di Lugo Vicenza | 137 |
Foundations of English | 142 |
The Gloomy Day Pieter Bruegel the Elder | 149 |
Landscape with Ascanius shooting the stag of Silvia | 158 |
America as Landscape | 161 |
The Landscape Idea and the Modern World | 254 |
Train Landscape Eric Ravilious | 265 |
272 | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
achieved active agricultural American appear architecture artistic associated authority buildings capitalism capitalist central centre century claim classical closely communes concept countryside cultural detailed developed direct dominated early economic emerging England English estates Europe European example existence experience expression feudal forces garden geographical historical human humanist ideal ideology imagination individual interest Italian Italy labour land landscape idea later London material means merchant mode moral nature object observed offered organisation origins painters painting particularly period perspective picture political practical production reason recognise reference regarded relations relationship remained renaissance represented response revealed rules rural Ruskin scene scientific sense significance social social formation society space status structure sublime symbolic techniques theory trade traditional understanding University urban Venetian Venice villa visual writers
Verwijzingen naar dit boek
Maps of Meaning: An Introduction to Cultural Geography Peter Jackson Geen voorbeeld beschikbaar - 1989 |