The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 86
... English talent , and ne- gotiating the concerns of foreign artists , that raise the cry of pronunciation . ' It is these gentry who , in phrase that a Tuscan would spurn at , and in a brogue from which a Roman ear would be averted with ...
... English talent , and ne- gotiating the concerns of foreign artists , that raise the cry of pronunciation . ' It is these gentry who , in phrase that a Tuscan would spurn at , and in a brogue from which a Roman ear would be averted with ...
Pagina 225
... English , exhibited but two English compositions , and also my regret that the two principal performers were foreigners . Her Majesty , ( who , by - the - by , most likely had nothing to do in the business , ) or whoever received the ...
... English , exhibited but two English compositions , and also my regret that the two principal performers were foreigners . Her Majesty , ( who , by - the - by , most likely had nothing to do in the business , ) or whoever received the ...
Pagina 238
... English public . In 1802 this Concert , as well as the Ancient , was de- prived of the valuable services and support of Mrs. Harri- son , who , after filling for many years the situation of principal English singer at both ...
... English public . In 1802 this Concert , as well as the Ancient , was de- prived of the valuable services and support of Mrs. Harri- son , who , after filling for many years the situation of principal English singer at both ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written