The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 43
... accompaniment is of the gently- moving kind , kept below the upper voice , except for a few bars , and consisting chiefly of quavers , and the effect pro- duced by this composition is highly pleasing . The author has known how far to ...
... accompaniment is of the gently- moving kind , kept below the upper voice , except for a few bars , and consisting chiefly of quavers , and the effect pro- duced by this composition is highly pleasing . The author has known how far to ...
Pagina 90
... Accompaniment for the Flute , ad libitum , by T. LATOUR . ( Chappell . ) 3. OVERTURE to the Romantic Opera of Lulu , produced at Copenhagen , and performed at Covent Garden Theatre , composed and arranged , with an Accompaniment for the ...
... Accompaniment for the Flute , ad libitum , by T. LATOUR . ( Chappell . ) 3. OVERTURE to the Romantic Opera of Lulu , produced at Copenhagen , and performed at Covent Garden Theatre , composed and arranged , with an Accompaniment for the ...
Pagina 304
... accompaniment to the sentiment of the words , in which Miss Storey has been eminently successful . The melody of No. 7 is smooth , and so far pleasing , and the accompaniment , when nothing out of the very common way is attempted , is ...
... accompaniment to the sentiment of the words , in which Miss Storey has been eminently successful . The melody of No. 7 is smooth , and so far pleasing , and the accompaniment , when nothing out of the very common way is attempted , is ...
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accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written