The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 132
... bars to which it is extended , there is not one rest to afford the singer an opportunity of taking breath , and after all it ends with a shake , the over which seems to indicate that the singer was to continue it as long as his ...
... bars to which it is extended , there is not one rest to afford the singer an opportunity of taking breath , and after all it ends with a shake , the over which seems to indicate that the singer was to continue it as long as his ...
Pagina 147
... bar of the second ; all the rest is not only unobjectionable , but agreeable . The symphony of No. 6 is a little confused in rhythm , but the air is expressive . No. 7 is an excellent , well ac- companied melody , but some of the first ...
... bar of the second ; all the rest is not only unobjectionable , but agreeable . The symphony of No. 6 is a little confused in rhythm , but the air is expressive . No. 7 is an excellent , well ac- companied melody , but some of the first ...
Pagina 222
... bar , which are not reckoned orthodox in ec- clesiastical music , and , indeed , are quite out of place where the severe ... bars of his symphony ought to convince him of this salutary truth . 1. CANZONET , Winter , composed by GEORGE ...
... bar , which are not reckoned orthodox in ec- clesiastical music , and , indeed , are quite out of place where the severe ... bars of his symphony ought to convince him of this salutary truth . 1. CANZONET , Winter , composed by GEORGE ...
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accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written