The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 30
... hand ; and from G , on the first line in the bass to G and A in altissimo , on the left hand side- the middle row consists of the semitones , connected with the outward rows ; viz . - supposing the outside rows to be tuned in the ...
... hand ; and from G , on the first line in the bass to G and A in altissimo , on the left hand side- the middle row consists of the semitones , connected with the outward rows ; viz . - supposing the outside rows to be tuned in the ...
Pagina 171
... hand ; but to able organists - and for such are they chiefly intended - the difficulty will not be found great . " · These are well known compositions in their original state , therefore not objects of present criticism , except the ...
... hand ; but to able organists - and for such are they chiefly intended - the difficulty will not be found great . " · These are well known compositions in their original state , therefore not objects of present criticism , except the ...
Pagina 299
... hand . Spohr evi- dently has Mozart in his mind in whatever he composes ; Ries follows Beethoven , and Neükomm Haydn ; yet the re- semblances in manner to be traced in the productions of these is not mentioned as a reproach , nor has it ...
... hand . Spohr evi- dently has Mozart in his mind in whatever he composes ; Ries follows Beethoven , and Neükomm Haydn ; yet the re- semblances in manner to be traced in the productions of these is not mentioned as a reproach , nor has it ...
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accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written