The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 41
... introduced no passages of an irrelevant nature , but adhered pretty steadily to the text , and indulged in none of those flights which are so numerously scattered among his earlier com- positions . His introduction to this , a largo in ...
... introduced no passages of an irrelevant nature , but adhered pretty steadily to the text , and indulged in none of those flights which are so numerously scattered among his earlier com- positions . His introduction to this , a largo in ...
Pagina 89
... introduced , but as at first , and not with that judgment and feeling which we are accustomed to expect and meet ... introduced favourite sub- jects from HUMMEL , composed by G. KIALlmark . ( Chappell . ) 3. DIVERTIMENTO , in which is ...
... introduced , but as at first , and not with that judgment and feeling which we are accustomed to expect and meet ... introduced favourite sub- jects from HUMMEL , composed by G. KIALlmark . ( Chappell . ) 3. DIVERTIMENTO , in which is ...
Pagina 199
... introduced and explained what may almost be considered as discoveries of his own , by throwing a new light on subjects that had long remained in ob- scurity , and nearly escaped the notice of those philosophers who have directed their ...
... introduced and explained what may almost be considered as discoveries of his own , by throwing a new light on subjects that had long remained in ob- scurity , and nearly escaped the notice of those philosophers who have directed their ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written