The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 31
... notes descend again imme- diately , thus : It would be far better if played thus : 9 : Writers should avoid introducing two accidental notes in rapid passages , which are to be produced by the same foot , on two different pedals , but ...
... notes descend again imme- diately , thus : It would be far better if played thus : 9 : Writers should avoid introducing two accidental notes in rapid passages , which are to be produced by the same foot , on two different pedals , but ...
Pagina 133
... notes towards each other , yet we cannot hold the absolute pitch of those notes to be ascertained . It is generally agreed by musical writers , that the lowest note of that scale , was the same sound as our note A between the first and ...
... notes towards each other , yet we cannot hold the absolute pitch of those notes to be ascertained . It is generally agreed by musical writers , that the lowest note of that scale , was the same sound as our note A between the first and ...
Pagina 165
... notes . While the air employs his bow on the first string , he adds an accompaniment , in harmony of two and sometimes three notes , on the others , with such fingers and thumb as are not engaged in the legato passage . His harmonics ...
... notes . While the air employs his bow on the first string , he adds an accompaniment , in harmony of two and sometimes three notes , on the others , with such fingers and thumb as are not engaged in the legato passage . His harmonics ...
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accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written