The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 31
... passages are playable , they are to be avoided as much as possible by every composer ; for , when executed by the very first performers , a disagreeable jarring will occur . Arpeggio passages are very effective on the harp * , which may ...
... passages are playable , they are to be avoided as much as possible by every composer ; for , when executed by the very first performers , a disagreeable jarring will occur . Arpeggio passages are very effective on the harp * , which may ...
Pagina 42
... passages- they are organ passages we admit - which call to mind that music which is become classical from its never - fading beauties . These may possibly be objected to by the pianist brought up in the modern school exclusively , and ...
... passages- they are organ passages we admit - which call to mind that music which is become classical from its never - fading beauties . These may possibly be objected to by the pianist brought up in the modern school exclusively , and ...
Pagina 145
... passages in it ; the theme - an excellent une all will admit -is kept constantly in view , and the whole shows a good deal of spirit . We should , nevertheless , recommend the fair composer to be a little less lengthy in future , and to ...
... passages in it ; the theme - an excellent une all will admit -is kept constantly in view , and the whole shows a good deal of spirit . We should , nevertheless , recommend the fair composer to be a little less lengthy in future , and to ...
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accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written