The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 3
... played by his rather , from one another , and , long before he could speak , much less learn the name of an air , would mark , by pressing down with his little fists one or two of its first notes , the particular tune he desired to have ...
... played by his rather , from one another , and , long before he could speak , much less learn the name of an air , would mark , by pressing down with his little fists one or two of its first notes , the particular tune he desired to have ...
Pagina 118
... played all my other parts , expressed some repugnance at per- forming this . I asked him the reason : " How can you " expect , " said he , " that I should render interesting a cha- ' racter in which I shall be hideous ? " " Hideous ...
... played all my other parts , expressed some repugnance at per- forming this . I asked him the reason : " How can you " expect , " said he , " that I should render interesting a cha- ' racter in which I shall be hideous ? " " Hideous ...
Pagina 184
... played alternately with Mozart , before the Emperor Joseph II . and the Grand Duke ( afterwards Emperor ) Paul of Russia and his consort . On one occasion , when the imperial trio alone were present , Clementi and Mozart were desired to ...
... played alternately with Mozart , before the Emperor Joseph II . and the Grand Duke ( afterwards Emperor ) Paul of Russia and his consort . On one occasion , when the imperial trio alone were present , Clementi and Mozart were desired to ...
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accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written