The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 8
William Ayrton. ON THE OPERATIC PERFORMANCES OF THE PUPILS OF THE ROYAL ACADEMY OF MUSIC . To the EDITOR of the HARMONICON . PERFORMANCES OF THE PUPILS OF THE ROYAL ACADEMY OF MUSIC. comma greater , or with the ratio of 25 : 27. Now it ap ...
William Ayrton. ON THE OPERATIC PERFORMANCES OF THE PUPILS OF THE ROYAL ACADEMY OF MUSIC . To the EDITOR of the HARMONICON . PERFORMANCES OF THE PUPILS OF THE ROYAL ACADEMY OF MUSIC. comma greater , or with the ratio of 25 : 27. Now it ap ...
Pagina 82
... pupils . But as an equi- valent , each convent making this sacrifice was permitted to choose one from amongst the pupils to replace the musi- cian they had lost . As was to be expected , a plan so barbarous as this failed entirely , and ...
... pupils . But as an equi- valent , each convent making this sacrifice was permitted to choose one from amongst the pupils to replace the musi- cian they had lost . As was to be expected , a plan so barbarous as this failed entirely , and ...
Pagina 83
... pupils eat , sleep , and work ; their beds serving as tables and resting places for their instruments by day , and for their own bodies at night . In the first room I entered I was almost astounded to hear one of the pupils sounding a ...
... pupils eat , sleep , and work ; their beds serving as tables and resting places for their instruments by day , and for their own bodies at night . In the first room I entered I was almost astounded to hear one of the pupils sounding a ...
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accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written