The Harmonicon, Volumes 1-11William Ayrton Gregg International, 1971 |
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Pagina 188
... voice : daily practice will almost create a tone where none existed ; and , after all , if the defect of quality can be compensated by a sufficiency of feeling and good taste , it will delight infinitely more than those powerful voices ...
... voice : daily practice will almost create a tone where none existed ; and , after all , if the defect of quality can be compensated by a sufficiency of feeling and good taste , it will delight infinitely more than those powerful voices ...
Pagina 189
... voice should , as quickly as possible , divest itself of the assistance of those go - cart and leading- string accompaniments by which popular song - writers enervate the taste and destroy the capacity for improve- ment ; for if the ...
... voice should , as quickly as possible , divest itself of the assistance of those go - cart and leading- string accompaniments by which popular song - writers enervate the taste and destroy the capacity for improve- ment ; for if the ...
Pagina 244
... Voice , by MARIANO RODRIGUEZ DE LEDESMA . ( Chappell . ) SENOR Ledesma , a native of Spain , but domiciliated in this country nearly twenty years , during which time he has been constantly engaged in giving instructions in singing , who ...
... Voice , by MARIANO RODRIGUEZ DE LEDESMA . ( Chappell . ) SENOR Ledesma , a native of Spain , but domiciliated in this country nearly twenty years , during which time he has been constantly engaged in giving instructions in singing , who ...
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accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written