Dancing Women: Female Bodies on Stage

Voorkant
Psychology Press, 1998 - 279 pagina's
A spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective.Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity.Broad in its scope and compelling in its argument Dancing Women:* provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance* investigates the gaps between plot and performance that create sexual and gendered meanings* examines how women's agency is created in dance through aspects of choreographic structure and style* analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage* suggests approaches to issues of gender in postmodern danceUsing an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.
 

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Over de auteur (1998)

Sally Banes is one of the leading dance historians in the United States. With such works as Dancing Women: Female Bodies on Stage and Democracy's Body: Judson Dance Theatre 1962-1964, she details the history of dance and explores issues of representation and movement in the art of dancing. She also examines the influence and aspects of feminist ideology related to dance. Banes graduated from New York University and was involved in the theatre in the 1970s and 1980s. She has worked as a critic for the Soho Weekly News and the Village Voice. Banes is the Hannah Winter Professor of Theatre History and Dance Studies at the University of Wisconsin at Madison.

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