Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America
University of Texas Press, 2007 - 248 pagina's
“Marvels! Rompecabezas! And cartoons that bite into the mind appear throughout this long-awaited book that promises to reshape and refocus how we see Mexicans in the Americas and how we are taught and seduced to mis/understand our human potentials for solidarity. This is the closest Latin@ studies has come to a revolutionary vision of how American culture works through its image machines, a vision that cuts through to the roots of the U.S. propaganda archive on Mexican, Tex-Mex, Latino, Chicano/a humanity. Nericcio exposes, deciphers, historicizes, and 'cuts-up' the postcards, movies, captions, poems, and adverts that plaster dehumanization (he calls them 'miscegenated semantic oddities') through our brains. For him, understanding the sweet and sour hallucinations is not enough. He wants the flashing waters of our critical education to become instruments of restoration. In this book, Walter Benjamin meets Italo Calvino and they morph into Nericcio. Orale! -Davíd Carrasco, Harvard University A rogues' gallery of Mexican bandits, bombshells, lotharios, and thieves saturates American popular culture. Remember Speedy Gonzalez? “Mexican Spitfire” Lupe Vélez? The Frito Bandito? Familiar and reassuring-at least to Anglos-these Mexican stereotypes are not a people but a text, a carefully woven, articulated, and consumer-ready commodity. In this original, provocative, and highly entertaining book, William Anthony Nericcio deconstructs Tex[t]-Mexicans in films, television, advertising, comic books, toys, literature, and even critical theory, revealing them to be less flesh-and-blood than “seductive hallucinations,” less reality than consumer products, a kind of “digital crack.” Nericcio engages in close readings of rogue/icons Rita Hayworth, Speedy Gonzalez, Lupe Vélez, and Frida Kahlo, as well as Orson Welles' film Touch of Evil and the comic artistry of Gilbert Hernandez. He playfully yet devastatingly discloses how American cultural creators have invented and used these and other Tex[t]-Mexicans since the Mexican Revolution of 1910, thereby exposing the stereotypes, agendas, phobias, and intellectual deceits that drive American popular culture. This sophisticated, innovative history of celebrity Latina/o mannequins in the American marketplace takes a quantum leap toward a constructive and deconstructive next-generation figuration/adoration of Latinos in America.
Nonhallucinatory Prefatory Palabras
Seductive Hallucination Gallery One An Interstice
Seductive Hallucination Gallery Two Interstice the Second
Overige edities - Alles bekijken
Anglo animated appeared artist Autopsy body border bordertown called Cannery Woe Carmen Cansino Cartoon Castellanos chapter Chicana/o Chicano cinema comic critical Derrida Dorian Gray dynamics Electrolysis Electrolysis Proxies emphasis added essay ethnic Existential eyes film theory Freleng Frida Kahlo Friz Freleng gallery Gilbert Hernandez Gilda Grandi greaser Guillermo Nericcio García Gypsy half-breed Hallucinations of Miscegenation Hank Quinlan Heath Heston Hispanic Hollywood Laredo Latina/o Latino Leaming Love and Rockets Lupe Vélez Margarita Carmen mass culture mestizo Mexican American Mexico Miscegenation Miscegenation and Murder motion picture movie Orson Orson Welles's Pancho personal collection political postcards Press racism representation Rita Cansino Rita Hayworth Rita's Rodriguez scene screen grab Seductive Hallucination semiotic sexual silver screen space Spanish speak Speedy Gonzales Spivak stereotypes story Susan Texas things tion Touch of Evil ture United University Vargas visual Welles's film Welles's Touch woman words