Poetics: An Essay on PoetrySmith, Elder, and Company, 1852 - 294 pagina's |
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Pagina
... of Unconsciousness , 13 27 ∞∞ 2 2 18 22 Book Second . THE NATURE OF POETRY , CHAPTER I. The Law of Imagination , II . The Law of Harmony , III . The Law of Unconsciousness , 41 45 51 61 Book Third . THE ART OF POETRY . PART FIRST.
... of Unconsciousness , 13 27 ∞∞ 2 2 18 22 Book Second . THE NATURE OF POETRY , CHAPTER I. The Law of Imagination , II . The Law of Harmony , III . The Law of Unconsciousness , 41 45 51 61 Book Third . THE ART OF POETRY . PART FIRST.
Pagina 18
... imagination , of the understanding , and of the heart , as if in these there were no activity . It is quite evident that all these pleasures are but particular kinds of action . But when action is said to be a law of pleasure ...
... imagination , of the understanding , and of the heart , as if in these there were no activity . It is quite evident that all these pleasures are but particular kinds of action . But when action is said to be a law of pleasure ...
Pagina 20
... imagination at a stand . " When he speaks of repose and tranquillity in this sense , we may fall in with what he says , but have a right to fall out with his language . Greatly should we wrong those sages who have placed happiness in ...
... imagination at a stand . " When he speaks of repose and tranquillity in this sense , we may fall in with what he says , but have a right to fall out with his language . Greatly should we wrong those sages who have placed happiness in ...
Pagina 24
... Imagination , the other called Understanding , ideal objects , although they are often the self - same , yet , because they are viewed upon different sides , are divided into two classes , the one called images or representations , the ...
... Imagination , the other called Understanding , ideal objects , although they are often the self - same , yet , because they are viewed upon different sides , are divided into two classes , the one called images or representations , the ...
Pagina 44
... , the one in poetic , the other in unpoetic mood , the former has a pleasure more refined , keener , better far than that which is felt by the latter . CHAPTER I. THE LAW OF IMAGINATION . BUT by the 44 THE NATURE OF POETRY .
... , the one in poetic , the other in unpoetic mood , the former has a pleasure more refined , keener , better far than that which is felt by the latter . CHAPTER I. THE LAW OF IMAGINATION . BUT by the 44 THE NATURE OF POETRY .
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Æneid Æschylus Aristotle artist Bacon beautiful belongs Berkeley Berkeley blank verse CALIFORNIA LIBRARY called chiefly Christian classical cloth critics Divine doctrine drama dramatic art dramatist Dugald Stewart Edition endeavours English epic Euripides expression fact faculty faith Fcap former Freedom give Greek happiness HARRIET MARTINEAU heart Homer idea Illustrations imagery imagination imitative Immortality India Jane Eyre Jeremy Collier JOHN RUSKIN JOHN WILLIAM KAYE kinds of poesy language latter law of poetry less look lyrical manner means metaphor metre mind modern narrative nature never object perhaps philosopher pleasure plurality poem poet poetic feeling Post 8vo present prose reality reason regard remarkable rhyme romantic Ruskin self-consciousness sense Shakespere simile simply song Sophocles soul speak spirit stanza tell theory things thought tion true truly truth uncon unconsciousness UNIVERSITY OF CALIFORNIA utterance vols whole words Wordsworth