Pulp Surrealism: Insolent Popular Culture in Early Twentieth-Century Paris

Voorkant
University of California Press, 22 dec 2023 - 218 pagina's
In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fiction and sensationalistic journalism. The provocative nature of this insolent mass culture resonated with the intellectual and political preoccupations of the surrealists, as Robin Walz demonstrates in this fascinating study. Pulp Surrealism weaves an interpretative history of the intersection between mass print culture and surrealism, re-evaluating both our understanding of mass culture in early twentieth-century Paris and the revolutionary aims of the surrealist movement.

Pulp Surrealism presents four case studies, each exploring the out-of the-way and impertinent elements which inspired the surrealists. Walz discusses Louis Aragon's Le paysan de Paris, one of the great surrealist novels of Paris. He goes on to consider the popular series of Fantômes crime novels; the Parisan press coverage of the arrest, trial, and execution of mass-murderer Landru; and the surrealist inquiry "Is Suicide a Solution?", which Walz juxtaposes with reprints of actual suicide faits divers (sensationalist newspaper blurbs).

Although surrealist interest in sensationalist popular culture eventually waned, this exploration of mass print culture as one of the cultural milieux from which surrealism emerged ultimately calls into question assumptions about the avant-garde origins of modernism itself.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2000.
In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fictio

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Geselecteerde pagina's

Inhoudsopgave

The Baedeker of Hives The Opera Passageway and Aragona Le Paysan de Paris
13
The Popular Novel as Modern Mythology
42
Murder Mirth and Misogyny The Dark Humor of Henri Desire Landru the Bluebeard of Gambais
76
Is Suicide a Solution? Surrealist Questions and FaitDivers Responses
114
On the Popular Dynamism of Mass Culture
144
Notes
157
Bibliography
183
Index
199
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Populaire passages

Pagina 5 - Surrealism is based on the belief in the superior reality of certain forms of associations hitherto neglected, in the omnipotence of dream, in the disinterested play of thought. It tends to ruin, once and for all, all other psychic mechanisms and to substitute itself for them in solving all the principal problems of life.
Pagina 160 - Natalie Zemon Davis, Society and Culture in Early Modern France (Stanford: Stanford University Press, 1975); and Roger Chartier, The Cultural Uses of Print in Early Modern France, trans. Lydia C. Cochrane (Princeton:
Pagina 160 - (New York: Routledge, 1989); Andreas Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism (Bloomington: Indiana University Press, 1986);
Pagina 160 - The Concept of Cultural Hegemony: Problems and Possibilities,” American Historical Review, vol. 90,
Pagina 162 - 9. Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge, Mass.: MIT Press, 1989);
Pagina 5 - The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will bethe greater its emotional power and poetic reality.
Pagina 5 - It tends to ruin, once and for all, all other psychic mechanisms and to substitute itself for them in solving all the principal problems of life.
Pagina 160 - Robert Muchembled, Culture populaire et culture des elites dans la France moderne (Paris: Flammarion,

Over de auteur (2023)

Robin Walz is Assistant Professor of History at the University of Alaska Southeast.

Bibliografische gegevens