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Published by J. Asperne at the Bible, Crown & Constitution, Cornhill, October 11807.

Engraved by Rawle

dour, therefore, and humanity itself, forbid the subjecting of a work composed under sach circumstances to the rigour of critical examination. It is enough to say, what even the severest judgment will allow, that the practical advices contained in this book are,

THE

in general, the dictates of prudence, and the
result of a wise and enlightened experience;
while the morality it conveys is founded on
the solid basis of the relative duties of man,
both to his God and to his fellow-creatures."
(To be concluded in our next.)

MONT GUET, IN THE ISLAND OF GUERNSEY.
[WITH AN ENGRAVING.]

HE large rock in the left corner of the accompanying plate is called Roque du Guet.

The small object just above it is a Fire Beacon, in case of alarm.

Next to that is a Telegraph, with a yellow pendant flying a signal for the racket from England being in sight.

The house nearly adjoining, called Maison du Guet, is the residence of the man who works the telegraph.

On the right of this is an immense pile of rocks, called Mont du Guet.

The small house near the centre, on the road leading up to the telegraph, is

used for storing gunpowder, cartridges,
&c.

We must add to this brief description of the objects seen in the annexed View, that there are six other telegraphs, similar to the above, placed on the tle, Castle Comet, Fort George, Jerheights round the island; viz. Vale Castle, Castle Comet, Fort George, Jerbourg, Mont Herrott, and Fort Saumarez; from which they make signals for every vessel that comes in sight.. Near each telegraph is a fire beacon, to give an alarm in the night.

From Maison du Guel, the eye commands a most beautiful view of the whole island of Guernsey, of Alderney, and of the French coast.

THEATRICAL JOURNAL.

AUGUST 27.

16. At Covent Garden, Miss DE CAMP,

AT the HAYMARKET, was produced, sister of Mrs. C. Kemble, made her first

for the benefit of Mr. Matthews, a new comic sketch, in one act, called "MUSIC MAD." This was a slight, but not unentertaining piece, evidently taken from the Italian opera, Il Fanatico par Musica. It was the production of Mr. Hook, jun, the music by his father. Matthews and Liston were the main props of the piece, which was well received, and has been several times repeated.

SEPT. 14. COVENT GARDEN opened for the season, with a crowded audience, to Romeo and Juliet, and The

Poor Soldier.

15. THE HAYMARKET THEATRE closed, with Hamlet, and Tom Thumb. To the exertions of Mr. YOUNG, whom we pronounce one of the best actors on the English stage, the concern has been much indebted for a very successful sea son; and, without making any comparisons, which might scem invidious, we hope, ere long, to see him on the boards of a winter theatre.

Mr. Fawcett returned thanks, in the name of the proprietors and the performers, in the usual terms.

Europ. Mag. Vol. LII. Sept, 1807.

appearance on the London boards, in the character of Peggy, in Mr. Kenny's humorous farce called Raising the Wind. This young lady bears a resemblance to her sister, but is rather taller: she sustained the part in such a manner as to give promise of being a useful acquisi-' tion.

17. DRURY-LANE opened with The Country Girl, and The Weathercock. The principal circumstance worthy of remark on this occasion, was the restoration of Mrs. JORDAN to the stage, after a secession of two years, he performed Peggy with admirable spirit, and was welcomed with enthusiastic ap plause.

21. Miss NORTON (whom we mentioned in our XLIId volume, p. 47) made her entrée at Covent Garden, as Imogen, in Cymbeline. She manifested very considerable ability, which, with careful culture, promises future Miss Norton was a niece of excellence. the late Mrs. Martyr.

22. At Drury-lane, a young lady, whose name, we understand, is Lu PONTE, made her detût, as Patrick, in E &

The Poor Soldier. Her vocal abilities far exceed her theatrical at present. Her voice is mellow and deep-toned, resembling, more than any other that we remember, that of the late Mrs. Kennedy, the original performer of the character. She met with great encouragement: and perhaps, when her embarrassment has worn off, may appear to more advantage as an actress than she did on this her first appearance.

PROLOGUE

ΤΟ

"ERRORS EXCEPTED."

Written by Mr. CHARLES DIBDIN, jun.

And spoken by Mr. YOUNG.

PERUSE the fairest page, and still you'll

trace,

That error is the lot of human race;
E'en with the best, at Nature's last repose,

Errors excepted" the account must close. No living man without some folly made is, And tho' stern Truth won't even spare the Ladies!

"Yet, to their lot should trifling errors fall,
"Look in their faces, you'll except them all."
Wisdom herself may err as well as Wit;
Law's writ of error is not holy writ.
The doctor too has faults; but, happy lot!
Physic's faur pas, when buried, are forgot.
In seeking Fortune's all-desir'd abode,
We meet cross paths of error on the road;
Placarded invitations meet the eye

At every turn, with "Now's your time to
buy,"

And the mysterious charm of B. C. Y. All to insure you, when the wheel goes round,

.

Of, blanks excepted, ninety thousand pound.
AUTHORS to critical exceptions bow,
And CRITICS candidly must this allow,
That, while they lash the faults of scrib-
bling elves,

"Twere well from error to be clear themselves.

A

To you (to the audience), whose approbation

to obtain

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So as a Convoy, though no man of war,
Let me look out, and see how matters are.
And first I'll try my soundings in the pit,
Lurks there no rock on which our brig may
split?

No quicksands, shoals, or flats, nor no lee shore,

Where many a vessel has been wreck'd be fore?

In yonder quarter (upper end of the pit) lo!
a storm seems brewing,
That threatens to involve us all in ruin.
A ship prepares for action-ha! beware,
An enemy has ta'en his station there-
His name is Critic-'tis, I see him now,
I know him by the Gorgon at his prow;
A heavy sailer, but his fire is galling,
And no one ventures near without a mauling;
His head all snakes-no wonder that the
shot

Sent from his cannon comes so hissing hot;
See how he lowers his jib-nay, do not frown,
Nor cut our rigging up-nor run us down.
(To the front boxes) That in the offing there
1s call'd the Rover,

Who never fights but when he's half seas

over;

And is well known on our dramatic ocean,
By his rough sailing, and unsteady motion.
He has but just left port, for well I wot
His upper works are damag'd by grape-shot.
Two other signs he has, howe'er he got 'em,
A head well brazen'd, and a copper botton
(pointing to the heels).

(To the gallery) But you, my honest friends, stow'd in the shrouds,

Who speak in thunder from your birth, the clouds;

You, like true sailors, never hardly press
When you behold a vessel in distress,
For well you know, who rule the subject

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(To the side hores) Ladies between decks, if Early the critic seas she's wafted o'er,

your favouring gales

You lend to fill the poet's trembling sails, "His summer voyage won't turn out a dream,

His boat sails freely both with wind and stream;"

And gains triumphantly the wish'd-for shore.
I'll to the author, and dispel his fear,
And say, his goods have found a market
here;

I'll say too, for I think I guess aright,
Here you will rendezvous to-morrow night.

POETRY.

REFLECTIONS IN A SUMMER-HOUSE. AH! say how pleasant 'tis to sit

Within this charming cool retreat,
To see the sun's meridian beam
Reflected in yon murm'ring stream,
Whilst, shelter'd from the sultry ray,
The balmy zephyrs round me play.

Now from beneath the friendly shade,
From some deep copse, or op'ning glade,

Is heard the shepherd's plaintive strain;
Creation, all around, is gay,
Wide thro' the meads the cattle stray,

Or climb the hill, or graze the plain.
From youder grove the feather'd throng
Pour forth their tributary lays,
Borne by the passing gale along,
In notes of gratitude and praise!

And say shall man alone refrain,
Nor mingle in this joyful strain,

Nor lift his voice on high?
Say-shall no thankful notes of his
Rise upwards to the seats of bliss,
The mansions of the sky?

And feels not, then, this breast of mine
The warmth and energy divine

That gratitude inspires?

Have I no hymn of praise to sing?
No thankful tribute can I bring,
No heav'n-born pure desires?

PARENT OF GOOD! inspire my lays;
Teach me to sing thy boundless praise;
From these thy works to rise
TO THEE, th' eternal great Supreme,
Whose name affords an endless theme
To seraphs in the skies,
Homerton.

T. R-FF-S.

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Give them with thankful hearts thy praise to sing,

Th' accepted off'ring to THY ALTAR bring. August 8, 1807. BRITANNICUS.

NOTE.-The preceding poem was written in the summer of 1803, at the time of the threatened invasion.

To the Editor of the European Magazine.

SIR,

I have no doubt but that you are as willing to do justice to living merit, as to record the memory of departed worthies; and therefore I now send you a piece of the former class. I have simply stated facts, and I think I am correct in my statement. I was induced to consider the subject, in consequence of prejudices which I saw prevailing of that consideration you have the result to which I have only further to add, that I am an entire stranger to the marquis, excepting as a public character; and that had I-not been convinced that truth and justice dictated the following lines, they would never have been written and transmitted to you.

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own,

By Ganges' stream and Barrampooter's known,

BRITAIN, see Wellesley comes! Truth's voice believe,

Thy faithful viceroy to thy arms receive, Whose mind, by justice rul'd, thy will fulfill'd,

And rev'rence for thy honour'd name in still'd:

Who from Mysore expell'd th'usurper's race,
And gave the ancient rajah's line their place;
Yet, well considering their adverse fate,
Rais'd Tippoo's family from low estate,
Suffer'd them not in poverty to roam,
To them protection gave, and peaceful home;
Who, while ascended high Thanksgivings
voice,

By acts of charity made earth rejoice,

Mindful of those in misery and need,
Redemption free most graciously decreed;'
Who, more diffusive blessing to impart,
Reviv'd with liberty the pris'ner's heart;
Under whose auspices thy arms with stood
The States Mahratta join'd, and them subdu'd;
Whose vig'rous arm, extended, smote from far
Th' intruding pow'r, auxiliary Berar;
Soon as the Peishwah his distress made known,
Replac'd the exil'd chief on Poonah's throne;
Beneath whose sway the Gallic influence
ceas'd;

Who chas'd thy dang'rous rivals from the
EAST;

Who the Mogul unto his throne restor❜d,
Much-injur'd prince! imperial Delhi's lord;
Thence drove the fierce barbarian rebel train,
And gave the monarch to his native reign;
He, whose exertions furious Holkar quell'd,
From his dominions the proud chief expell'd,
The tyrant merciless, whose captives' blood
Had oft his sanguinary hands imbru'd,
Nay, even mutilation exercis'd

On those who thy alliance dearly priz'd;
Who, CHERISHER of ARTS, of LEARNING

. FRIEND,

Bade for her use the splendid dome ascend, Woo'd the fair stranger with attention meet, And gave her, in CALCUTTA, safe retreat.

Britain, with glad acclaim receive thy soN! He who for thee, with honour, empire won; He who THESE DEEDS perform'd in face of day,

WELLESLEY DESERVES THIS VOLUNTARY

LAY.

Surely to him are gen'ral praises due,
Whose actions claim this testimonial true.
Britain, to him peculiar favour show!
Honours, distinguishing, on HIM bestow.
August 25, 1807. BRITANNICUS.

SONNET TO EVENING.

HAIL, placid Eve! as faintly to the sight Thee I discern 'n yon dim western sky, That beams around thy sober soften'd light,

And tells to Nature thy mild reign is nigh. Come heavenly guest! that lov'st the silent hour!

Sister of eve, meek twilight! thee I woo: Come, and o'er anguish shed Lethean pow'r, Chase specter'd care, each bitter thought subdue.

With balmy slumbers weary eyelids close; Hush'd is the scene, creation owns thy sway;

Exhausted nature sinks to soft repose, The sweet refreshment from the toils of day.

See at thy shrine, still eve! a suppliant bend. And oh thy empire, to this heart extend! St. George's-place, Walworth-roud. G. H. T.

To the Editor of the European Magazine,

STR.

HERE is perhaps no department so indispensably necessary, or so generally attracfive, of a magazine, whether political, fash

ionable, literary, or theological, as that which proudly usurps the title of poetry. I do not know by what fatality one is insensibly induced periodically to wade through page after page, of ode, elegy, sonnet, or (worst of all !) extempore, unless it be because one is not compelled to do it. But it seems to be a general opinion, that rhyme, like a fine woman, may talk any nonsense; sometimes, however, (justice induces me to add) there are 'European' beauties, whose wit and good

sense command our admiration.

To come to the point :-In your magazine for August, appeared a little piece, which I believe to be a perfect original, and which deserves, on that account, not to sink unhonoured into obscurity. A musical medley, is indeed, no novelty, and often displays no small ingenuity; but a poetical medley, is, I think, quite a new idea; for which the public is indebted to your valuable correspondent, Juvenis.' His Ode to the Swallow is not, indeed, so entitled, but this may be attributed to his modesty. The first verse may be found (with a trifling variation, allowable in such cases) in Logan's Ode to the Cuckoo.

JUVENIS.

Hast thou a star, thy path to guide:
That with the rolling year,
When sweet the rosy moments glide,
Thy certain voice we hear?

LOGAN.

What time the daisy decks the green,
Thy certain voice we hear:
Hast thou a star to guide thy path,
Or mark the rolling year?

The second your readers will doubtless recognise as part of a posthumous ode, by Gray, on the pleasures arising from vicissi tude, published by Mr. Mason:

Till April starts, and calls around
The sleeping fragrance from the ground;
And lightly o'er the living scene,
Scatters his freshest tenderest green. Gray.

that in the first line "wakes" is substituted The only alteration made by Juvenis, is' for calls," and that his last line runs thus, Spreads his tenderest softest green.”

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The fifth verse is also principally written by Logan; as is hinted by the inverted com mas which enclose the third and fourth

Imes. My memory treacherously refuses to point out whence the remainder is selected, though she whispers that many of the lines are old acquaintances. The realms of l quid light," she is familiar with; and well recollects other things than swallows'

"Sporting in the noontide ray." Many of the lines, it is true, bear the indubitable stamp of originality. site moral is perfectly novel.

The exqui The idea of

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