SAINT-GAUDENS BY ROBERT UNDERWOOD JOHNSON. I. UPLANDS of Cornish! Ye, that yesterday For here new-born is Italy's new birth of Art. An unaccustomed glory in the sheen Of yonder lingering river, overleant with green, One to the Tiber, to the Arno one. O hills of Cornish! chalice of our spilled wine, Ye shall become a shrine, For now our Donatello is no more! He who could pour His spirit into clay, has lost the clay he wore, Has robbed the Future to enrich the Past. At joyous worship in your Sacred Wood, He shall be missed As autumn meadows miss the lark, Where Summer and Song were wont to keep melodious tryst. His fellows of the triple guild shall hark For his least whisper in the starry dark. She shall be followed over glades and streams. For what is not; And every common path shall lead to dreams. II. Poet of Cornish, comrade of his days: When late we met, With his remembrance how thine eyes were wet! More eloquently did rehearse Than on his festal day thy liquid verse. Ever the world remembers. Not so the sculptor-his immediate bays This jewel in his country's coronet. When all men with new accent speak his name, And all are blended in a vast regret, There is no place for grief of thee or me: Sing not to-day the hearth despoiled of fire: Ours be the trumpet, not the lyre. Death makes the great The treasure and the sorrow of the State. Nor is it less bereaved By what is unachieved. Oh, what a miracle is Fame! We carve some lately unfamiliar name Is deathless work undone. Although the story of our art is brief, But though they stand authentic and apart III. Yet, sound for him the trumpet, not the lyre Him of the ardent, not the smouldering, fire: When the slow purpose of the throng Flamed to a new religion, and a soul. He knew the lure of flags; caught first the far drums' roll; Thrilled with the flash that runs Along the slanted guns; Kept time to the determined feet That ominously beat Upon the city's floor The firm, mad rhythm of war. With envious enterprise He saw the serried eyes That, level to the hour's demand, Looked straight toward Duty's promised land. Then to be boy was to be prisoned fast With the great world of battle sweeping past Heard the heart-melting music, calling "Follow!" Thermopylas and Marathons. -Ah, had he known who was to be But who can read To-morrow in To-day? The trodden and the lighted way. She burns the accepted pattern, breaks the mould, Revels in secrets and surprise; And while the wise Seek knowledge at the sages' gate The schoolboy by a truant path keeps rendezvous with Fate. IV. This is the honey in the lion's jaws: And wrack of savage war Art saves a sweet repose, by mystic laws Not by long labor learned But by keen love discerned; For this it bears the palm: To show the storms of life in terms of calm. Gave secret power to this Celt. Master of harmony, his sense could find Ideal and real seem a single kind. Behold our gaunt Crusader, grimly brave, The swooping eagle in his face, The very genius of command, And her not less, with her imperious hand, The herald Victory holding equal pace. Not trulier in the blast Moves prow with mast; Line mates with flowing line, as wave with following waveRider and homely horse Intent upon their course As though she went not with them. Near or far So, on the travelled verge V. Of storied Boston's green acropolis That sculptured music, that immortal dirge Has fitly epitaphed The hated ranks men did not dare to hiss! Why seek another place? We have no Parthenon, but a nobler frieze,-— It sings the anthem of a rescued race; Born from its waters and returning there, Fame, sprung from thoughts of mortals, swims the air VI. I wept by Lincoln's pall when children's tears, Were reckoned in the census of her grief; |