The Age of Gold: Dali, Bunuel, Artaud : Surrealist CinemaSolar, 2008 - 197 pagina's Surrealist cinema, as epitomized by Salvador Dal and Luis Buuels Un Chien Andalou and LAge dOr, was a knife through the heart of the establishment; a scorpionic, scatological black joke galvanized by the irrational, the uncanny, and the spectre of de Sade. The Age Of Gold revisits these two seminal films investigating: the process of collaborative psychic automatism the scandals and riots caused by their themes and images the experimental cinematic theories of Antonin Artaud traces the precursors and parallels of Surrealist cinema in avant-garde and Dadaist film including Hans Richter, Marcel Duchamp and Man Ray the filmic legacy of the surrealist movement Illustrated with striking images, The Age of Gold clearly demonstrates how Surrealist film finally erupted from the throes of experimental cinema, the art, texts and manifestos of the Surrealist Movement. This new, expanded Solar edition includes a new illustrated chapter on Salvador Dali and cinema |
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Pagina 25
... audience for Entr'acte is first targeted by a cannon fired by Picabia and Satie and then pummelled with boxing gloves . Both Dada and surrealist films attacked the humanist image of the body as an organic whole , ' cutting ' it into ...
... audience for Entr'acte is first targeted by a cannon fired by Picabia and Satie and then pummelled with boxing gloves . Both Dada and surrealist films attacked the humanist image of the body as an organic whole , ' cutting ' it into ...
Pagina 71
... audience - returning our gaze - implicating us . We grasp that is ourselves who are also the intended victims of this visual assault . To quote Allen Thiher : ' Buñuel commits a violent transgression against our desire to protect our ...
... audience - returning our gaze - implicating us . We grasp that is ourselves who are also the intended victims of this visual assault . To quote Allen Thiher : ' Buñuel commits a violent transgression against our desire to protect our ...
Pagina 94
... audience's experience of time and space . The audience's belief in what is seen comes from spatial continuity and the logic of cause and effect . It is these logics that Un Chien Andalou mocks and largely defies . In terms of the ...
... audience's experience of time and space . The audience's belief in what is seen comes from spatial continuity and the logic of cause and effect . It is these logics that Un Chien Andalou mocks and largely defies . In terms of the ...
Inhoudsopgave
Ocular Alchemy Surrealisms Expectations | 5 |
Extremities Of The Mind Antonin Artaud | 33 |
Un Chien Andalou | 51 |
Copyright | |
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Ado Kyrou André Breton Antonin Artaud Aragon audience automatism avant-garde Babaouo Bataille Benjamin Péret black humour Buñuel and Dalí Butcher's Revolt Cahiers camera Chien Andalou claimed Clergyman conventional critical Dali Dalí and Buñuel Dalí's desire director documentary dream Dulac figure film theory film's filmic filmmaker French cinema French film gags Gallimard Georges Georges Bataille Haim Finkelstein Hollywood ideas imagery images Jean L'Age d'Or La Révolution Surréaliste lan Gibson Las Hurdes later Linda Williams Lorca lovers Luis Buñuel mainstream Manifesto Max Ernst medium Modot movement narrative object obsessive op.cit painting Paris Paul Hammond Paul Sandro Péret play poetic prologue quoted razor reality representation revolutionary Robert Desnos Salvador Dalí Sanchez Vidal scenario scorpions screen script Seashell sequence sexual shot Soupault spectator story Surrealism Surréalisme surrealist surrealist cinema surrealist film theory of cinema Un Chien Andalou unconscious University Press visual woman wrote