The Golden Age of Engraving: A Specialist's Story about Fine PrintsBaker & Taylor Company, 1910 - 314 pagina's |
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Pagina xxxiii
... look up , pleasantly enough , but would give me a decided shake of his head and then go on contem- plating some of his particular pets , and leave me fretting and fuming on the sidewalk . After the legacy he never parted with a print to ...
... look up , pleasantly enough , but would give me a decided shake of his head and then go on contem- plating some of his particular pets , and leave me fretting and fuming on the sidewalk . After the legacy he never parted with a print to ...
Pagina 34
... look at them , perhaps , but we never can possess them . But an intimate and well authenticated draw- ing , the work of some great artist , is still avail- able occasionally . STUDY OF A BOY'S HEAD Size of the original drawing 36 ...
... look at them , perhaps , but we never can possess them . But an intimate and well authenticated draw- ing , the work of some great artist , is still avail- able occasionally . STUDY OF A BOY'S HEAD Size of the original drawing 36 ...
Pagina 39
... looks as if he would much rather be talking himself than merely listening . Goldsmith was generally the butt of that bril- liant company , undersized , ill - favored , bald , scarred with smallpox , improvident and impe- cunious , vain ...
... looks as if he would much rather be talking himself than merely listening . Goldsmith was generally the butt of that bril- liant company , undersized , ill - favored , bald , scarred with smallpox , improvident and impe- cunious , vain ...
Pagina 43
... look down with an amiable contempt upon the men who have produced the great pictures of the world ; and though his jour- nals are full of records of close and earnest study of great pictures , he never loftily dismissed the claims of ...
... look down with an amiable contempt upon the men who have produced the great pictures of the world ; and though his jour- nals are full of records of close and earnest study of great pictures , he never loftily dismissed the claims of ...
Pagina 48
... in chemistry , he applied it to the composition of his colors - sometimes with disastrous results . Thus , I remember that twenty - five years ago his Huck , hark the red Vazt he looks arvand Mises 48 THE GOLDEN AGE OF ENGRAVING.
... in chemistry , he applied it to the composition of his colors - sometimes with disastrous results . Thus , I remember that twenty - five years ago his Huck , hark the red Vazt he looks arvand Mises 48 THE GOLDEN AGE OF ENGRAVING.
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Overige edities - Alles bekijken
The Golden Age of Engraving: A Specialist's Story about Fine Prints Frederick Keppel Volledige weergave - 1910 |
The Golden Age of Engraving: A Specialist's Story about Fine Prints Frederick Keppel Volledige weergave - 1910 |
The Golden Age of Engraving: A Specialist's Story about Fine Prints Frederick Keppel Volledige weergave - 1910 |
Veelvoorkomende woorden en zinsdelen
11 inches admirable afterward Albrecht Dürer Alphonse Legros American artist auction beautiful Beraldi born Bracquemond British burin catalogue century Charles Jacque Charles Meryon charm collection color copper plate designs died dry-point early effect eminent England English etched plate etcher etching etching by Charles etching by Seymour etching by Whistler exhibition famous Félix Buhot finished France French Gallery genius Grolier Club Hamerton hand impressions J. F. Millet Jean-François Millet Joseph Pennell known lady Lalanne landscape letter line engraving lithographs London master masterpieces Meryon mezzotint Monsieur never Noseda original drawing original etching original print painter painter-etching painting by Sir Paris Paris Salon Philip Gilbert Hamerton picture portrait produced proofs published Queen Victoria Rajon rank Raphael Rembrandt reproductive Salon Samuel Cousins Sir Joshua Reynolds Sir Seymour Haden sketches style superb Thames things tion to-day writes York
Populaire passages
Pagina 218 - TIGER, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder and what art Could twist the sinews of thy heart?
Pagina 248 - ... twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Pagina 57 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind ; His pencil was striking, resistless, and grand, His manners were gentle, complying, and bland : Still born to improve us in every part, His pencil our faces, his manners our heart. To coxcombs averse, yet most civilly steering, When they judged without skill, he was still hard of hearing: When they talked of their Raphaels, Corregios, and stuff, He shifted his trumpet,* and only took snuff.
Pagina 40 - Setting interest therefore aside, to which I never paid much attention, I must be indulged at present in following my affections. The only dedication I ever made was to my brother, because I loved him better than most other men. He is since dead. Permit me to inscribe this Poem to you.
Pagina 304 - Sculptura; or, The History and Art of Chalcography, and Engraving in Copper: with an ample Enumeration of the most renowned Masters and their Works. To which is annexed, A New Manner of Engraving, or Mezzotinto, Communicated by His Highness Prince Rupert to the Author of this Treatise.
Pagina 134 - Swift, that angling is always to be considered as "a stick and a string, with a fly at one end and a fool at the other.
Pagina 304 - Portraits; being a descriptive catalogue of these engravings from the Introduction of the Art to the early part of the present Century.
Pagina 46 - that the great principle of being happy in this world, " is, not to mind or be affected with small things.
Pagina 304 - THE GRAPHIC ARTS: A Treatise on the Varieties of Drawing, Painting, and Engraving in Comparison with each other and with Nature.
Pagina 225 - ... etcher. Every stroke he makes must tell strongly against him if it be bad, or prove him a master if it be good. In no branch of art does a touch go for so much. The necessity for a rigid selection is therefore constantly present in his mind. If one stroke in the right place tells more for him than ten in the wrong, it would seem to follow that that single stroke is a more learned stroke than the ten by which he would have arrived at his end." "The faculty of doing such work supposes a concentration...