Dada: Zürich, Berlin, Hannover, Cologne, New York, Paris
National Gallery of Art in association with D.A.P./ Distributed Art Publishers, New York, 2005 - 519 pagina's
Along with Russian constructivism and surrealism, Dada stands as one of the three most significant movements of the historical avant-garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry, and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. "Dada"--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hannover, New York, and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work.
Relying on dynamic design and vivid documentary images, "Dada" takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of eachartist--accompanied by Dada-era photographs.
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Overige edities - Alles weergeven
abstract Angelika Anna Blume April Aragon Arensberg Artists Rights Society assemblage audience avant-garde Baader Baargeld Baroness Berlin Dada Berlin dadaists Breton Cabaret Voltaire Centre Pompidou collage Cologne culture Dada Dada Fair Dada Painters Dada's dadaists Doesburg Eluard exhibition expressionist February film Francis Picabia French George Grosz German gouache Hannah Hoch Hannover Herzfelde Hoerle Hoerle's International Dada issue January Jean Crotti Johannes John Heartfield journal Kunst Kurt Schwitters later Lissitzky machine manifesto Marcel Duchamp Max Ernst Merz Merzbau Modern Art moderne-Centre de creation montage movement Munich Musee national d'art Museum of Modern national d'art moderne-Centre National Gallery November Otto painting paper Paris Dada performance photograph photomontage poem poet poetry political portrait Private collection published Raoul Hausmann readymade Ribemont-Dessaignes Richard Huelsenbeck Richter Schamberg Schlichter sculpture Serner soiree Sophie Taeuber Soupault Sturm tion trans Tristan Tzara Untitled Walter Weimar World York Dada