Dada: Zurich, Berlin, Hannover, Cologne, New York, ParisLeah Dickerman, Brigid Doherty, Centre Georges Pompidou, National Gallery of Art (U.S.), Museum of Modern Art (New York, N.Y.) National Gallery of Art, 2005 - 519 pagina's Along with Russian Constructivism and Surrealism, Dada stands as one of the three most significant movements of the historical avant garde. Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hanover, New York and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work. Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs. |
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Pagina 99
... Dada Fair asserts that " the Dada movement leads to the sublation of the art trade . " 32 Billed as an " Exhibition and Sale " of roughly two hundred " Dadaist Products , " it was held from 30 June to 25 August 1920 in Otto Burchard's ...
... Dada Fair asserts that " the Dada movement leads to the sublation of the art trade . " 32 Billed as an " Exhibition and Sale " of roughly two hundred " Dadaist Products , " it was held from 30 June to 25 August 1920 in Otto Burchard's ...
Pagina 100
... Dada Fair were reproduced in illustrated weeklies as far away as Amsterdam , Milan , Rome , and Boston . The Dada Fair also received dozens of published reviews , both in Germany and abroad . Most of those reviews were hostile , a good ...
... Dada Fair were reproduced in illustrated weeklies as far away as Amsterdam , Milan , Rome , and Boston . The Dada Fair also received dozens of published reviews , both in Germany and abroad . Most of those reviews were hostile , a good ...
Pagina 292
... Dada- Messe ( First International Dada Fair ) shipped over to New York in time for an exhibition at the Société Anonyme in February 1921. Once again , Dreier's efforts to exhibit works by European dadaists failed to materialize , since ...
... Dada- Messe ( First International Dada Fair ) shipped over to New York in time for an exhibition at the Société Anonyme in February 1921. Once again , Dreier's efforts to exhibit works by European dadaists failed to materialize , since ...
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Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris Leah Dickerman,Brigid Doherty Geen voorbeeld beschikbaar - 2005 |
Veelvoorkomende woorden en zinsdelen
abstract André Breton Angelika Anna Blume April Aragon Arensberg Artists Rights Society assemblage audience avant-garde Baargeld Baroness Berlin Dada Cabaret Voltaire Centre Pompidou Christian Schad collage création industrielle culture Dada Dada Fair Dada Painters Dada's dadaists Doesburg exhibition expressionist February film Francis Picabia French Gallery of Art George Grosz German gouache Hannah Höch Hannover Hans Arp Herzfelde International Dada issue Jean Crotti John Heartfield journal Kunst Kurt Schwitters Lissitzky Littérature machine manifesto Marcel Duchamp Max Ernst Merz Merzbau Modern Art montage movement Munich Musée national d'art Museum of Art Museum of Modern national d'art moderne-Centre National Gallery November Otto painting paper Paris Dada photograph photomontage poem poet poetry political portrait Private collection published Raoul Hausmann readymade Ribemont-Dessaignes Richard Huelsenbeck Richter Schamberg Schlichter sculpture Serner soirée Sophie Taeuber Sturm tion trans Tristan Tzara Untitled Walter Weimar wood World York Dada