Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 pagina's Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Pagina 343
... Antony and Cleopatra . As we have seen again and again , Renaissance playcraft was so flexible that a charac- ter bound within the illusion might well take on choric and " metadramatic " personae and emerge from the illusion to ( in ) ...
... Antony and Cleopatra . As we have seen again and again , Renaissance playcraft was so flexible that a charac- ter bound within the illusion might well take on choric and " metadramatic " personae and emerge from the illusion to ( in ) ...
Pagina 346
... Antony's death there will be no distinctions between " boys " like Caesar and men like An- tony . We will watch Cleopatra earn her salvation in the final scenes and see how she will rise in our esteem . Deeply flawed , Antony and Cleopatra ...
... Antony's death there will be no distinctions between " boys " like Caesar and men like An- tony . We will watch Cleopatra earn her salvation in the final scenes and see how she will rise in our esteem . Deeply flawed , Antony and Cleopatra ...
Pagina 349
... Cleopatra em- braces her death , calling out to her " Husband " in words that echo those Antony spoke in yearning to be reunited with her in death ( 4. 14. 50 ) . The infinite variety of her parts as Venus , Empress of Egypt , " gypsy ...
... Cleopatra em- braces her death , calling out to her " Husband " in words that echo those Antony spoke in yearning to be reunited with her in death ( 4. 14. 50 ) . The infinite variety of her parts as Venus , Empress of Egypt , " gypsy ...
Inhoudsopgave
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Copyright | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Fragmentweergave - 1984 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words
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The Merchant of Venice: Shakespeare: The Critical Tradition William Baker,Brian Vickers Fragmentweergave - 2005 |