Studies of ShakspereG. Routledge, 1868 - 560 pagina's |
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Pagina 24
... natural action and just characterization which would allow a drama to be wholly dramatic . He wanted " So valiant ... Nature in her very highest forms ; her address with " So " - " So valiant Brute " | something which is above common ...
... natural action and just characterization which would allow a drama to be wholly dramatic . He wanted " So valiant ... Nature in her very highest forms ; her address with " So " - " So valiant Brute " | something which is above common ...
Pagina 26
... nature . The characters of Locrine ' are moved to passion , but first and last they speak out of books . In Shakspere , high poetry is the most natural language of passion . It be- longs to the state of excitement in which the character ...
... nature . The characters of Locrine ' are moved to passion , but first and last they speak out of books . In Shakspere , high poetry is the most natural language of passion . It be- longs to the state of excitement in which the character ...
Pagina 31
... nature and simpli- city . The early writers for the stage , indeed , seem one and all to have considered that the language of the drama was conventional ; that the expressions of real passion ought never there to find a place ; that ...
... nature and simpli- city . The early writers for the stage , indeed , seem one and all to have considered that the language of the drama was conventional ; that the expressions of real passion ought never there to find a place ; that ...
Pagina 43
... nature to maintain with itself ; and the more splendid the peace , and the brighter the clearness , which it reaches through this combat , the more monstrous the fight which must have been incessantly maintained . instance , from the ...
... nature to maintain with itself ; and the more splendid the peace , and the brighter the clearness , which it reaches through this combat , the more monstrous the fight which must have been incessantly maintained . instance , from the ...
Pagina 47
... nature of dramatic poetry . It would be equally just to say that the nice but well - defined traits of character , which stand out from the phy- sical horrors of this play , when it is carefully studied , were superadded by Shakspere to ...
... nature of dramatic poetry . It would be equally just to say that the nice but well - defined traits of character , which stand out from the phy- sical horrors of this play , when it is carefully studied , were superadded by Shakspere to ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
action amongst appears Arden audience beauty believe Brutus Cæsar called character Coleridge comedy Comedy of Errors copy criticism Cymbeline death doth doubt drama Duke edition English exhibit eyes Falstaff father fear Fletcher folio give Hamlet hath heart Henry Henry IV honour John Jonson Julius Cæsar King labour lady Lear live Locrine look lord Love's Love's Labour's Lost Macbeth Malone master Merry Wives mind nature never night noble Noble Kinsmen opinion original Othello passage passion play players poem poet poet's poetical poetry praise Prince principle printed produced quarto Queen racter reader Richard Richard II Romeo and Juliet says scene Shak Shakspere Shakspere's Sonnets soul speak spere spirit stage Steevens story sweet tell thee thine thing thou art thought Timon tion Titus Andronicus tragedy Troilus and Cressida true truth verse words writer written
Populaire passages
Pagina 478 - Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Pagina 235 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Pagina 490 - Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room, Even in the eyes of all posterity That wear this world out to the ending doom. So till the judgment that yourself arise, You live in this, and dwell in lovers
Pagina 494 - When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the wat'ry main, Increasing store with loss and loss with store; When I have seen such interchange of state, Or state itself confounded to decay, Ruin hath taught me thus to ruminate, That Time will come and take my love away.
Pagina 497 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Pagina 161 - Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope ; but still bear up and steer Right onward.
Pagina 496 - Give warning to the world that I am fled From this vile world, with vilest worms to dwell : Nay, if you read this line, remember not The hand that writ it ; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe.
Pagina 103 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Pagina 106 - gainst my fury • Do I take part : the rarer action is In virtue than in vengeance : they being penitent, The sole drift of my purpose doth extend Not a frown further : Go, release them, Ariel ; My charms I'll break, their senses I'll restore, • And they shall be themselves.
Pagina 470 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's •waste...