A History of Seventeenth-Century English LiteratureJohn Wiley & Sons, 16 dec 2013 - 480 pagina's A History of Seventeenth-Century Literature outlines significant developments in the English literary tradition between the years 1603 and 1690.
Thomas Corns is a major international authority on Milton, the Caroline Court, and the political literature of the English Civil War and the Interregnum. |
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... stage andthe London press were contenthungry and driven bya competitivemarketof readers and audiencesthathad plenty of alternativeways to spend their money.The writing they supported was performed or printed because itwas in demand.The ...
... stage andthe London press were contenthungry and driven bya competitivemarketof readers and audiencesthathad plenty of alternativeways to spend their money.The writing they supported was performed or printed because itwas in demand.The ...
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... stage was for the most part in quite good health, if somewhatcowed byrecent events. Five companies played regularly in the City. The threeadult companies, the Lord Chamberlain's Men, theLord Admiral's Men and the Earl of Worcester's Men ...
... stage was for the most part in quite good health, if somewhatcowed byrecent events. Five companies played regularly in the City. The threeadult companies, the Lord Chamberlain's Men, theLord Admiral's Men and the Earl of Worcester's Men ...
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... stage was necessary to provide command performances intemporary performing spaces at court. All earlyPrivy Council discussions ofstagecontrol prioritize the provision ofentertainment at court,which constitutes itsprimary raison d'être ...
... stage was necessary to provide command performances intemporary performing spaces at court. All earlyPrivy Council discussions ofstagecontrol prioritize the provision ofentertainment at court,which constitutes itsprimary raison d'être ...
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... stage set and approached the king] They didall sorts of ballets and dances ... the King, who isby nature choleric, grew impatientand shoutedloudly, 'Why don't theydance? What didyou makeme comehere for? Deviltake all of you, dance ...
... stage set and approached the king] They didall sorts of ballets and dances ... the King, who isby nature choleric, grew impatientand shoutedloudly, 'Why don't theydance? What didyou makeme comehere for? Deviltake all of you, dance ...
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... stage; and 'private' theatresinhalls, where alltheaudience were seated.Since thecheapest admission chargefor the latter washigher than for the former,itis usually assumed that some who habitually attended thepublic theatreswouldhave ...
... stage; and 'private' theatresinhalls, where alltheaudience were seated.Since thecheapest admission chargefor the latter washigher than for the former,itis usually assumed that some who habitually attended thepublic theatreswouldhave ...
Inhoudsopgave
March 1629 to April | |
The Making of the Caroline Court | |
Poetry andProseRomance NonFictional Prose | |
From Manuscript to Print Plays and Players | |
April 1640 | |
May 1660 | |
From | |
Bibliography | |
Index | |
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Veelvoorkomende woorden en zinsdelen
achieved andthe appeared audience Caroline Catholic celebration century certainly changed chapter characters Charles church close collection companies contemporary continued course court critical culture death depiction developed Donne Dryden Earl early edition effect Elizabethan emerged engagement England English established evidently example figure followed Henry Herbert ibid included inthe issues Jacobean James John Jonson kind king King’s late literary London Lord Love major manuscript masque Milton notes observes offers ofhis ofthe once onthe opening Parliament patronage performed perhaps period play plot poem poet poetry political Prince printed probably produced Protestant publication published Quakers queen readers reflects remained represented Restoration role royal royalist rule scene secure seems sexual Shakespeare shows significant social sometimes stage success takes theatre Thomas tothe tradition turn verse writing written