Divine Madness: On Interpreting Literature, Music, and the Visual Arts Ironically

Voorkant
Bucknell University Press, 2002 - 307 pagina's
This book provides a theory that enables the concept of irony to be transferred from the literary to the visual and aural domains. Topics include the historical roots of the concept of irony as modes of oral and literary expression, and how irony relates to spatiality.

Vanuit het boek

Inhoudsopgave

Irony and Mysticism
118
KABBALAH MEISTER ECKHART AND CELAN
126
Irony and the Arts
135
Titles
137
The Lied
138
Visualized Dramatic Irony
140
Drama and Theater
141
Music Drama and Opera
143

The Creation of Irony
58
UNSTABLE STABILITIES IN DICKENSS OLIVER TWIST
67
STABLE INSTABILITIES IN ERASMUS OF ROTTERDAMS PRAISE OF FOLLY
76
Irony Obliqueness and Incongruities
84
Lying
85
Sarcasm
89
Humor
90
Dialectics
93
Metaphor
94
Allegory
95
Litotes and Hyperbole
96
Satire
98
Ambiguity
100
Heteroglossia
103
Opposition
104
Antithesis
105
Contrariety
106
Paradox
107
Incongruity
110
SIMILES AND INCONGRUITIES IN KAFKA
114
Dance
146
Other Areas
151
INTERTEXTUAL IRONY AND PARODY
152
GOD SAVE THE QUEEN?
158
The Irony of the Arts
165
EMPTY SIGNS FULL OF IRONY?
168
CAGE
170
The Spatial Metaphors of Irony
175
IRONY AND SPATIALITY
184
SPACY MAGRITTE
193
Musical Meaning Irony and Value
201
MUSICAL CONTRASTS AND HUMOR
210
ROMANTIC IRONY AND SPATIALITY
215
SHOSTAKOVICH AND THE QUEST FOR INTENTIONS
224
GOOD MUSIC BAD MUSIC OR IRONIC MUSIC?
234
Nachspiel
241
Notes
246
Bibliography
274
Index
290
Copyright

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Populaire passages

Pagina 30 - You know, Phaedrus, that's the strange thing about writing which makes it truly analogous to painting. The painter's products stand before us as though they were alive, but, if you question them, they maintain a most majestic silence.
Pagina 13 - When all things began, the Word already was. The Word dwelt with God, and what God was, the Word was. The Word, then, was with God at the beginning, and through him all things came to be; no single thing was created without him.
Pagina 115 - Darauf sagte einer > Warum wehrt ihr euch? Würdet ihr den Gleichnissen folgen, dann wäret ihr selbst Gleichnisse geworden und damit schon der täglichen Mühe frei...
Pagina 116 - All these parables really set out to say merely that the incomprehensible is incomprehensible, and we know that already.
Pagina 63 - A sign, or representamen, is something which stands to somebody for something in some respect or capacity. It addresses somebody, that is, creates in the mind of that person an equivalent sign, or perhaps a more developed sign. That sign which it creates I call the interpretant of the first sign. The sign stands for something, its object.
Pagina 72 - The hungry and destitute situation of the infant orphan was duly reported by the workhouse authorities to the parish authorities. The parish authorities inquired with dignity of the workhouse authorities, whether there was no female then domiciled in
Pagina 160 - May she defend our laws, and ever give us cause to sing with heart and voice, God save the Queen.
Pagina 115 - Alle diese Gleichnisse wollen eigentlich nur sagen, daß das Unfaßbare unfaßbar ist, und das haben wir gewußt.
Pagina 72 - farmed,' or, in other words, that he should be despatched to a branch-workhouse some three miles off, where twenty or thirty other juvenile offenders against the poor-laws, rolled about the floor all day, without the inconvenience of too much food or too much clothing, under the parental superintendence of an elderly female, who received the culprits at and for the consideration of sevenpence-halfpenny per small head per week. Sevenpence-halfpenny's worth per week is a good round diet for a child;...
Pagina 131 - PSALM Niemand knetet uns wieder aus Erde und Lehm, niemand bespricht unsern Staub. Niemand. Gelobt seist du, Niemand. Dir zulieb wollen wir blühn. Dir entgegen. Ein Nichts waren wir, sind wir, werden wir bleiben, blühend: die Nichts-, die Niemandsrose.

Bibliografische gegevens