Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 pagina's |
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Pagina xiii
... nature , on the other hand , he carries nature into the re- gions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extraordinary , the hage wonderful , and the unheard - of , in PREFACE .
... nature , on the other hand , he carries nature into the re- gions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extraordinary , the hage wonderful , and the unheard - of , in PREFACE .
Pagina 14
... hand . In speaking of the character of Lady Macbeth , we ought not to pass over Mrs. Siddons's manner of acting that part . We can conceive of nothing grander . It was something above nature . It seemed almost as if a being of a ...
... hand . In speaking of the character of Lady Macbeth , we ought not to pass over Mrs. Siddons's manner of acting that part . We can conceive of nothing grander . It was something above nature . It seemed almost as if a being of a ...
Pagina 15
... hand ; the transitions from triumph to despair , from the height of terror to the repose of death , are sudden and startling ; every passion brings in its fellow - contrary , and the thoughts pitch and jostle against each other as in ...
... hand ; the transitions from triumph to despair , from the height of terror to the repose of death , are sudden and startling ; every passion brings in its fellow - contrary , and the thoughts pitch and jostle against each other as in ...
Pagina 24
... hand , for this ear is deaf , And tell me truly what thou think'st of him . " We know hardly any passage more expressive of the genius of Shakspeare than this . It is as if he had been actually present , had known the different ...
... hand , for this ear is deaf , And tell me truly what thou think'st of him . " We know hardly any passage more expressive of the genius of Shakspeare than this . It is as if he had been actually present , had known the different ...
Pagina 29
... hand , Desdemona and Æmilia are not meant to be opposed with anything like strong contrast to each other . Both are , to outward appearance , characters of common life , not more distinguished than women usually are , by difference of ...
... hand , Desdemona and Æmilia are not meant to be opposed with anything like strong contrast to each other . Both are , to outward appearance , characters of common life , not more distinguished than women usually are , by difference of ...
Overige edities - Alles bekijken
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Geen voorbeeld beschikbaar - 2015 |
Veelvoorkomende woorden en zinsdelen
admirable affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar character comedy Coriolanus critic D'Ol death delight dost doth dramatic Duke effeminacy Endymion Eumenides eyes Falstaff fancy fear feeling fire fools fortune friends genius give grace hand hast hath heart heaven honour human Iago imagination Jeremy Taylor Jonson king kiss Lear learning live look lord Macbeth MALVOLIO manner Michael Drayton mind moral Muse nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter Rhod rich Richard III scene seems Sejanus sense sentiment Shak Shakspeare Shakspeare's Sir Rod Sir Thomas Brown sleep soul speak spirit striking style sweet tell thee things thou art thought tion Titus Andronicus tragedy true truth unto virtue wife Witches words writers youth
Populaire passages
Pagina 144 - Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground? Our lands, our lives, and all are Bolingbroke's, And nothing can we call our own but death, And that small model of the barren earth Which serves as paste and cover to our bones.
Pagina 167 - The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence of love, Like the old age.
Pagina 73 - What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unus'd.
Pagina 73 - Makes mouths at the invisible event, Exposing what is mortal, and unsure To all that fortune, death and danger dare, Even for an egg-shell.
Pagina 104 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
Pagina 84 - Treason, felony, Sword, pike, knife, gun, or need of any engine Would I not have ; but nature should bring forth Of its own kind, all foison, all abundance, To feed my innocent people.
Pagina xx - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath...
Pagina 112 - Lear. Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more nor less ; And, to deal plainly, I fear I am not in my perfect mind.
Pagina 210 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods...
Pagina 101 - Ah ! dear Juliet, Why art thou yet so fair ? Shall I believe That unsubstantial Death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour ? For fear of that I...