Beyond Representation: Chinese Painting and Calligraphy, 8th-14th Century

Metropolitan Museum of Art, 1992 - 549 pagina's
Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.

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Beyond representation: Chinese painting and calligraphy, 8th-14th century

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Fong is one of today's most authoritative voices in the study of Chinese painting and calligraphy. Here he uses works from the collection of the Metropolitan Museum of Art to illustrate the history of ... Volledige review lezen

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Over de auteur (1992)

Wen C. Fong was born in Shanghai, China in 1930. He came to the United States at the age of 18. He received bachelor's and master's degrees in medieval European art history and a Ph.D in art history, with a focus on ancient China, from Princeton University. His doctoral work became the basis for his first book The Lohans and a Bridge to Heaven. He taught at Princeton for 40 years and helped establish the nation's first doctoral degree program in Chinese art and archaeology there in 1959. His other books included Beyond Representation: Chinese Painting and Calligraphy 8th-14th Century. He also helped the Metropolitan Museum of Art in New York build one of the most comprehensive collections of Asian art and antiquities in the world. He retired from the Met in 2000. He died from leukemia on October 3, 2018 at the age of 88.

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