A Companion to Latin LiteratureStephen Harrison John Wiley & Sons, 15 apr 2008 - 472 pagina's A Companion to Latin Literature gives an authoritative account of Latin literature from its beginnings in the third century BC through to the end of the second century AD.
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Pagina ix
... Plautus active as dramatist 149—146 Third and final Punic War (Rome conquers Carthage) 204—169 Ennius active as poet/ dramatist P200 Fabius Pictor's first history 122—106 War against Iugurtha in North of Rome (in Greek) Africa (Rome ...
... Plautus active as dramatist 149—146 Third and final Punic War (Rome conquers Carthage) 204—169 Ennius active as poet/ dramatist P200 Fabius Pictor's first history 122—106 War against Iugurtha in North of Rome (in Greek) Africa (Rome ...
Pagina xiv
... Plautus, and Terence. He is preparing an edition of the fragments of the Roman mimographers. J. G. F. Powell is Professor of Latin at Royal Holloway, University of London. He has published editions of Cicero's Cato/De Senectute and ...
... Plautus, and Terence. He is preparing an edition of the fragments of the Roman mimographers. J. G. F. Powell is Professor of Latin at Royal Holloway, University of London. He has published editions of Cicero's Cato/De Senectute and ...
Pagina 9
... PLAUTUS (active 204—184 BC), comic dramatist Texts: complete in OCT, BT, B and LCL Translations: Slavitt and Bovie (1995) Commentaries: (Amphitryo) Christensen (GCLC, 2001), (Bacchides) Barsby (A8cP, 1986), (Casina) MacCary and Willcock ...
... PLAUTUS (active 204—184 BC), comic dramatist Texts: complete in OCT, BT, B and LCL Translations: Slavitt and Bovie (1995) Commentaries: (Amphitryo) Christensen (GCLC, 2001), (Bacchides) Barsby (A8cP, 1986), (Casina) MacCary and Willcock ...
Pagina 16
... Plautus, but employs the same parallelism, alliteration and homoioteleuton common to popular verse and to the emerging Roman comic style. A fragment from the tragedy Equos Troianus (20-22 Warmington) Da mihi hasce opes quas peto, quas ...
... Plautus, but employs the same parallelism, alliteration and homoioteleuton common to popular verse and to the emerging Roman comic style. A fragment from the tragedy Equos Troianus (20-22 Warmington) Da mihi hasce opes quas peto, quas ...
Pagina 17
... Plautus' Publilius Pellio or Terence's sponsor, Ambivius Turpio. He would then do the rest. Dramatists wrote for their companies, not for the state, and their scripts remained company property. The alternative scenes preserved in the ...
... Plautus' Publilius Pellio or Terence's sponsor, Ambivius Turpio. He would then do the rest. Dramatists wrote for their companies, not for the state, and their scripts remained company property. The alternative scenes preserved in the ...
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addressed Aeneas Aeneid ancient Apuleius audience Augustan Augustus Caesar Callimachus Carthaginians Cato Cato’s Catullus century BC CGLC Chapter character Cicero Classical comedy commentary contemporary context culture death defined dialogue didactic drama Eclogues ecphrasis elegiac elegists elite emperor Ennius epic epigram example father figures final find first first century fragments friendship genre Georgics Greek Hellenistic Homeric Horace Horace’s iambic imperial important influence Latin literature letters literary Livy love elegy Lucan Lucilius Lucretius lyric Martial metre mime moral Naevius narrative Nero Odes orator oratory Ovid Ovid’s passions period Persius Petronius philosophical Plautus plays Pliny Pliny’s poem poet poet’s poetic poetry political Propertius prose Punic Quintilian reader reflect Republic rhetorical role Roman Roman literature Rome Rome’s satire second century Seneca significant slave social specific speeches Statius status style surviving Tacitus Terence texts theme Thyestes Tibullus tradition tragedy translation treatise Varro Vergil verse writing written