A Companion to Latin LiteratureStephen Harrison John Wiley & Sons, 15 apr 2008 - 472 pagina's A Companion to Latin Literature gives an authoritative account of Latin literature from its beginnings in the third century BC through to the end of the second century AD.
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Pagina ii
... audience of scholars, students and general readers. ANCIENT HISTORY Published A Companion to the Ancient Near East Edited by Ddniel C. Snell A Companion to the Hellenistic World Edited hy Andrew Erskine In preparation A Companion to the ...
... audience of scholars, students and general readers. ANCIENT HISTORY Published A Companion to the Ancient Near East Edited by Ddniel C. Snell A Companion to the Hellenistic World Edited hy Andrew Erskine In preparation A Companion to the ...
Pagina 17
... audiences had every reason to record and preserve the evidence of their success in monuments, inscriptions and, at least by the mid— fourth century, official copies of the plays performed. Rome was heir not to this Attic model of civic ...
... audiences had every reason to record and preserve the evidence of their success in monuments, inscriptions and, at least by the mid— fourth century, official copies of the plays performed. Rome was heir not to this Attic model of civic ...
Pagina 19
... audience of Romans (Suet. Rhet. 1.2). His master classes were necessarily in and on Greek — a Roman competence in ... audiences, Crates stimulated them to apply his methods to their own texts, which they promptly did. But what texts? Not ...
... audience of Romans (Suet. Rhet. 1.2). His master classes were necessarily in and on Greek — a Roman competence in ... audiences, Crates stimulated them to apply his methods to their own texts, which they promptly did. But what texts? Not ...
Pagina 21
... audience that determined what language they used. For them, Greek was the natural choice since it offered stylistic precedents and historiographic conventions that were easier to adopt than to replace, even if it meant beginning a ...
... audience that determined what language they used. For them, Greek was the natural choice since it offered stylistic precedents and historiographic conventions that were easier to adopt than to replace, even if it meant beginning a ...
Pagina 23
... audiences, it required editors working after Crates' example to edit and preserve their books for posterity. Porcius Licinus, the first historian of Roman literature, therefore traced its origin to epic, probably with Naevius' Bellum ...
... audiences, it required editors working after Crates' example to edit and preserve their books for posterity. Porcius Licinus, the first historian of Roman literature, therefore traced its origin to epic, probably with Naevius' Bellum ...
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addressed Aeneas Aeneid ancient Apuleius audience Augustan Augustus Caesar Callimachus Carthaginians Cato Cato’s Catullus century BC CGLC Chapter character Cicero Classical comedy commentary contemporary context culture death defined dialogue didactic drama Eclogues ecphrasis elegiac elegists elite emperor Ennius epic epigram example father figures final find first first century fragments friendship genre Georgics Greek Hellenistic Homeric Horace Horace’s iambic imperial important influence Latin literature letters literary Livy love elegy Lucan Lucilius Lucretius lyric Martial metre mime moral Naevius narrative Nero Odes orator oratory Ovid Ovid’s passions period Persius Petronius philosophical Plautus plays Pliny Pliny’s poem poet poet’s poetic poetry political Propertius prose Punic Quintilian reader reflect Republic rhetorical role Roman Roman literature Rome Rome’s satire second century Seneca significant slave social specific speeches Statius status style surviving Tacitus Terence texts theme Thyestes Tibullus tradition tragedy translation treatise Varro Vergil verse writing written