A Companion to Latin LiteratureA Companion to Latin Literature gives an authoritative account of Latin literature from its beginnings in the third century BC through to the end of the second century AD.
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Pagina vi
PART II GENRES 6 10 11 12 13 14 15 16 17 18 19 Narrative Epic Philip Hardie Didactic Epic Monica Gale Roman Tragedy Elaine Eanthani Comedy, Atellane Farce and Mime Costas Panayotaleis Pastoral Stephen Heyworth Love Elegy Roy Gihson ...
PART II GENRES 6 10 11 12 13 14 15 16 17 18 19 Narrative Epic Philip Hardie Didactic Epic Monica Gale Roman Tragedy Elaine Eanthani Comedy, Atellane Farce and Mime Costas Panayotaleis Pastoral Stephen Heyworth Love Elegy Roy Gihson ...
Pagina xiii
He is the author of The Making of Menander's Comedy (London, 1980), Understanding Terence (Princeton, 1986) and Epic in Repuhlican Rome (Oxford, 1995), and a past editor of the Transactions of the American Philological Association.
He is the author of The Making of Menander's Comedy (London, 1980), Understanding Terence (Princeton, 1986) and Epic in Repuhlican Rome (Oxford, 1995), and a past editor of the Transactions of the American Philological Association.
Pagina xiv
Among his recent publica— tions are Sexual Symmetry: Love in the Ancient Novel and Related Genres (Princeton, 1994); Greek Comedy and Ideology (Oxford, 1995); Friendship in the Classical World (Cambridge, 1997); and Pity Transformed ...
Among his recent publica— tions are Sexual Symmetry: Love in the Ancient Novel and Related Genres (Princeton, 1994); Greek Comedy and Ideology (Oxford, 1995); Friendship in the Classical World (Cambridge, 1997); and Pity Transformed ...
Pagina 17
Nevertheless, the traditional date of 240 is also too early because what Andronicus and his successors created for the Roman festivals was not immediately 'literature' (on early Roman tragedy see Fantham, Chapter 8 below; on comedy see ...
Nevertheless, the traditional date of 240 is also too early because what Andronicus and his successors created for the Roman festivals was not immediately 'literature' (on early Roman tragedy see Fantham, Chapter 8 below; on comedy see ...
Pagina 23
The process of reception that 'made' Roman literature was itself shaped by the Greek experience of texts, and the genres initially marked for canonical status all had Greek precedents: tragedy and comedy, epic, history and oratory.
The process of reception that 'made' Roman literature was itself shaped by the Greek experience of texts, and the genres initially marked for canonical status all had Greek precedents: tragedy and comedy, epic, history and oratory.
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addressed Aeneas Aeneid ancient Apuleius audience Augustan Augustus Caesar Callimachus Carthaginians Cato Cato’s Catullus century BC CGLC Chapter character Cicero Classical comedy commentary contemporary context culture death defined dialogue didactic drama Eclogues ecphrasis elegiac elegists elite emperor Ennius epic epigram example father figures final find first first century fragments friendship genre Georgics Greek Hellenistic Homeric Horace Horace’s iambic imperial important influence Latin literature letters literary Livy love elegy Lucan Lucilius Lucretius lyric Martial metre mime moral Naevius narrative Nero Odes orator oratory Ovid Ovid’s passions period Persius Petronius philosophical Plautus plays Pliny Pliny’s poem poet poet’s poetic poetry political Propertius prose Punic Quintilian reader reflect Republic rhetorical role Roman Roman literature Rome Rome’s satire second century Seneca significant slave social specific speeches Statius status style surviving Tacitus Terence texts theme Thyestes Tibullus tradition tragedy translation treatise Varro Vergil verse writing written