A Companion to Latin LiteratureStephen Harrison John Wiley & Sons, 15 apr 2008 - 472 pagina's A Companion to Latin Literature gives an authoritative account of Latin literature from its beginnings in the third century BC through to the end of the second century AD.
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Pagina vi
... Comedy, Atellane Farce and Mime Costas Panayotaleis Pastoral Stephen Heyworth Love Elegy Roy Gihson Satire Llewelyn Morgan Lyric and Iambic Stephen Harrison Epigram Lindsay C. Watson The Novel Stephen Harrison Dialogues and Treatises ...
... Comedy, Atellane Farce and Mime Costas Panayotaleis Pastoral Stephen Heyworth Love Elegy Roy Gihson Satire Llewelyn Morgan Lyric and Iambic Stephen Harrison Epigram Lindsay C. Watson The Novel Stephen Harrison Dialogues and Treatises ...
Pagina xiii
... Comedy (London, 1980), Understanding Terence (Princeton, 1986) and Epic in Repuhlican Rome (Oxford, 1995), and a past editor of the Transactions of the American Philological Association. Thomas Habinek is Professor of Classics at the ...
... Comedy (London, 1980), Understanding Terence (Princeton, 1986) and Epic in Repuhlican Rome (Oxford, 1995), and a past editor of the Transactions of the American Philological Association. Thomas Habinek is Professor of Classics at the ...
Pagina xiv
... Comedy and Ideology (Oxford, 1995); Friendship in the Classical World (Cambridge, 1997); and Pity Transformed (Duckworth, 2001). He is currently working on a book entitled The Emotions of the Ancient Greeks. Christina Shuttleworth Kraus ...
... Comedy and Ideology (Oxford, 1995); Friendship in the Classical World (Cambridge, 1997); and Pity Transformed (Duckworth, 2001). He is currently working on a book entitled The Emotions of the Ancient Greeks. Christina Shuttleworth Kraus ...
Pagina 17
... comedy see Panayotakis, Chapter 9 below). Their scripts were initially the jealously guarded possession of the companies that commissioned and performed them. Rome of the third century was unlike Athens of the fifth, where drama's role ...
... comedy see Panayotakis, Chapter 9 below). Their scripts were initially the jealously guarded possession of the companies that commissioned and performed them. Rome of the third century was unlike Athens of the fifth, where drama's role ...
Pagina 23
... comedy, epic, history and oratory. A negative example proves the point. The fahula praetexta (see also Fantham, Chapter 8 below) was a genre that put the deeds of great Romans on the stage. It was said to be Naevius' invention: plays ...
... comedy, epic, history and oratory. A negative example proves the point. The fahula praetexta (see also Fantham, Chapter 8 below) was a genre that put the deeds of great Romans on the stage. It was said to be Naevius' invention: plays ...
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addressed Aeneas Aeneid ancient Apuleius audience Augustan Augustus Caesar Callimachus Carthaginians Cato Cato’s Catullus century BC CGLC Chapter character Cicero Classical comedy commentary contemporary context culture death defined dialogue didactic drama Eclogues ecphrasis elegiac elegists elite emperor Ennius epic epigram example father figures final find first first century fragments friendship genre Georgics Greek Hellenistic Homeric Horace Horace’s iambic imperial important influence Latin literature letters literary Livy love elegy Lucan Lucilius Lucretius lyric Martial metre mime moral Naevius narrative Nero Odes orator oratory Ovid Ovid’s passions period Persius Petronius philosophical Plautus plays Pliny Pliny’s poem poet poet’s poetic poetry political Propertius prose Punic Quintilian reader reflect Republic rhetorical role Roman Roman literature Rome Rome’s satire second century Seneca significant slave social specific speeches Statius status style surviving Tacitus Terence texts theme Thyestes Tibullus tradition tragedy translation treatise Varro Vergil verse writing written