A Companion to Latin LiteratureA Companion to Latin Literature gives an authoritative account of Latin literature from its beginnings in the third century BC through to the end of the second century AD.
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Pagina vi
PART II GENRES 6 10 11 12 13 14 15 16 17 18 19 Narrative Epic Philip Hardie Didactic Epic Monica Gale Roman Tragedy Elaine Eanthani Comedy, Atellane Farce and Mime Costas Panayotaleis Pastoral Stephen Heyworth Love Elegy Roy Gihson ...
PART II GENRES 6 10 11 12 13 14 15 16 17 18 19 Narrative Epic Philip Hardie Didactic Epic Monica Gale Roman Tragedy Elaine Eanthani Comedy, Atellane Farce and Mime Costas Panayotaleis Pastoral Stephen Heyworth Love Elegy Roy Gihson ...
Pagina xiv
Among his recent publica— tions are Sexual Symmetry: Love in the Ancient Novel and Related Genres (Princeton, 1994); Greek Comedy ... She has edited The Limits of Historiography: Genre and Narrative in Ancient Historical Texts (Leiden, ...
Among his recent publica— tions are Sexual Symmetry: Love in the Ancient Novel and Related Genres (Princeton, 1994); Greek Comedy ... She has edited The Limits of Historiography: Genre and Narrative in Ancient Historical Texts (Leiden, ...
Pagina 23
The fahula praetexta (see also Fantham, Chapter 8 below) was a genre that put the deeds of great Romans on the stage. It was said to be Naevius' invention: plays celebrating the founding of Rome (Romulus or Lupus) and a victory of ...
The fahula praetexta (see also Fantham, Chapter 8 below) was a genre that put the deeds of great Romans on the stage. It was said to be Naevius' invention: plays celebrating the founding of Rome (Romulus or Lupus) and a victory of ...
Pagina 26
... him the founder of a genre, but the fragments themselves refer only to 'playful chats' (luolus ac sermones, 1039W), 'jottings' (chartae, 1014W) and 'improvisations' (scheolia, 1131, W). In an age of keen generic expectations — drama ...
... him the founder of a genre, but the fragments themselves refer only to 'playful chats' (luolus ac sermones, 1039W), 'jottings' (chartae, 1014W) and 'improvisations' (scheolia, 1131, W). In an age of keen generic expectations — drama ...
Pagina 33
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addressed Aeneas Aeneid ancient Apuleius audience Augustan Augustus Caesar Callimachus Carthaginians Cato Cato’s Catullus century BC CGLC Chapter character Cicero Classical comedy commentary contemporary context culture death defined dialogue didactic drama Eclogues ecphrasis elegiac elegists elite emperor Ennius epic epigram example father figures final find first first century fragments friendship genre Georgics Greek Hellenistic Homeric Horace Horace’s iambic imperial important influence Latin literature letters literary Livy love elegy Lucan Lucilius Lucretius lyric Martial metre mime moral Naevius narrative Nero Odes orator oratory Ovid Ovid’s passions period Persius Petronius philosophical Plautus plays Pliny Pliny’s poem poet poet’s poetic poetry political Propertius prose Punic Quintilian reader reflect Republic rhetorical role Roman Roman literature Rome Rome’s satire second century Seneca significant slave social specific speeches Statius status style surviving Tacitus Terence texts theme Thyestes Tibullus tradition tragedy translation treatise Varro Vergil verse writing written