A Companion to Latin LiteratureStephen Harrison John Wiley & Sons, 15 apr 2008 - 472 pagina's A Companion to Latin Literature gives an authoritative account of Latin literature from its beginnings in the third century BC through to the end of the second century AD.
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Pagina 16
... drama to Latin requirements. A line like pulicesne an cimices an pedes? Responde mihi ('Fleas or bugs or lice? Answer me', fr. 1) is not just a competent trochaic septenarius, the metre that became a favourite of Plautus, but employs ...
... drama to Latin requirements. A line like pulicesne an cimices an pedes? Responde mihi ('Fleas or bugs or lice? Answer me', fr. 1) is not just a competent trochaic septenarius, the metre that became a favourite of Plautus, but employs ...
Pagina 17
... dramatic saturae, probably preserves a faint memory of the stage entertainments that gave Andronicus' Latin-speaking ... drama's role in civic and religious life bestowed official status and made it a cultural benchmark. The citizens who ...
... dramatic saturae, probably preserves a faint memory of the stage entertainments that gave Andronicus' Latin-speaking ... drama's role in civic and religious life bestowed official status and made it a cultural benchmark. The citizens who ...
Pagina 19
... drama, since scripts remained with the acting companies. Epic was the genre that first caught their eye. 2 Roman Epic (see also Hardie, Chapter 6) Epic too was, in a sense, Andronicus' invention. At some unknown time, and for some ...
... drama, since scripts remained with the acting companies. Epic was the genre that first caught their eye. 2 Roman Epic (see also Hardie, Chapter 6) Epic too was, in a sense, Andronicus' invention. At some unknown time, and for some ...
Pagina 23
... drama was only acknowledged later, in the generation of Aelius Stilo and his son-in-law Servius Clodius (in the last part of the second century BC). In gathering texts, settling questions of authorship, and assembling the details of a ...
... drama was only acknowledged later, in the generation of Aelius Stilo and his son-in-law Servius Clodius (in the last part of the second century BC). In gathering texts, settling questions of authorship, and assembling the details of a ...
Pagina 24
... drama Ambracia, which was staged either at Fulvius' controversial triumph in 187 or at the votive games he held the following year. Cato was not attacking poetry in general or Ennius in particular but Fulvius' appropriation of poetry ...
... drama Ambracia, which was staged either at Fulvius' controversial triumph in 187 or at the votive games he held the following year. Cato was not attacking poetry in general or Ennius in particular but Fulvius' appropriation of poetry ...
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addressed Aeneas Aeneid ancient Apuleius audience Augustan Augustus Caesar Callimachus Carthaginians Cato Cato’s Catullus century BC CGLC Chapter character Cicero Classical comedy commentary contemporary context culture death defined dialogue didactic drama Eclogues ecphrasis elegiac elegists elite emperor Ennius epic epigram example father figures final find first first century fragments friendship genre Georgics Greek Hellenistic Homeric Horace Horace’s iambic imperial important influence Latin literature letters literary Livy love elegy Lucan Lucilius Lucretius lyric Martial metre mime moral Naevius narrative Nero Odes orator oratory Ovid Ovid’s passions period Persius Petronius philosophical Plautus plays Pliny Pliny’s poem poet poet’s poetic poetry political Propertius prose Punic Quintilian reader reflect Republic rhetorical role Roman Roman literature Rome Rome’s satire second century Seneca significant slave social specific speeches Statius status style surviving Tacitus Terence texts theme Thyestes Tibullus tradition tragedy translation treatise Varro Vergil verse writing written