What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 68
... Aragon ) —at the cost , this time , of what constitutes the originality and reality of its researches , at the cost of the autonomous risk that it has to run . Agitated though it was , the epoch that separates the two Manifestos was ...
... Aragon ) —at the cost , this time , of what constitutes the originality and reality of its researches , at the cost of the autonomous risk that it has to run . Agitated though it was , the epoch that separates the two Manifestos was ...
Pagina 88
... Aragon to task for the lack of rigour in his present position ( I do not think anyone can contest the fact that Aragon's poetry has perceptibly weakened since he abandoned surrealism and undertook to place himself directly at the ...
... Aragon to task for the lack of rigour in his present position ( I do not think anyone can contest the fact that Aragon's poetry has perceptibly weakened since he abandoned surrealism and undertook to place himself directly at the ...
Pagina 88
... Aragon to task for the lack of rigour in his present position ( I do not think anyone can contest the fact that Aragon's poetry has perceptibly weakened since he aban- doned surrealism and undertook to place himself directly at the ...
... Aragon to task for the lack of rigour in his present position ( I do not think anyone can contest the fact that Aragon's poetry has perceptibly weakened since he aban- doned surrealism and undertook to place himself directly at the ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole