What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 9
... able to remember , whether I cared about them or not , such , for instance , as the façade of the Paris Opera House , or a horse , or the horizon ; there are those things that I have seen only very seldom , and that I have not always ...
... able to remember , whether I cared about them or not , such , for instance , as the façade of the Paris Opera House , or a horse , or the horizon ; there are those things that I have seen only very seldom , and that I have not always ...
Pagina 58
... able to read to one another about fifty pages obtained in this man- ner and to compare the results we had achieved . The like- ness was on the whole striking . There were similar faults of construction , the same hesitant manner , and ...
... able to read to one another about fifty pages obtained in this man- ner and to compare the results we had achieved . The like- ness was on the whole striking . There were similar faults of construction , the same hesitant manner , and ...
Pagina 89
... able to upset the scale of values of art - critics and experts , values based chiefly on technical perfection , per- sonal touch and the lastingness of the materials employed ) , this experiment can and should serve the cause of the ...
... able to upset the scale of values of art - critics and experts , values based chiefly on technical perfection , per- sonal touch and the lastingness of the materials employed ) , this experiment can and should serve the cause of the ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole