What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 39
... affirmation of the reciprocal relationship that joins an object in movement to the same object in repose . I am sorry not to be able to reproduce here a photograph of a very handsome locomotive after having been abandoned for many years ...
... affirmation of the reciprocal relationship that joins an object in movement to the same object in repose . I am sorry not to be able to reproduce here a photograph of a very handsome locomotive after having been abandoned for many years ...
Pagina 40
... affirmation of mine opposes , in the most constant and categorical manner , every attempt æsthetically or morally to base formal 1 The glass or crystal drops of chandeliers . Translator's note . beauty upon any voluntary process of ...
... affirmation of mine opposes , in the most constant and categorical manner , every attempt æsthetically or morally to base formal 1 The glass or crystal drops of chandeliers . Translator's note . beauty upon any voluntary process of ...
Pagina 48
... affirming that today , more than ever before , the liberation of the mind , the express aim of surrealism , demands as primary condition , in the opinion of the surrealists , the liberation of man , which implies that we must struggle ...
... affirming that today , more than ever before , the liberation of the mind , the express aim of surrealism , demands as primary condition , in the opinion of the surrealists , the liberation of man , which implies that we must struggle ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole