What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 15
... appeared " at the bottom of a lake " , but this image was only a virtual one for us . What miracle has enabled this man , whom it is my astonishment and good fortune to know , to body forth all that remained , up till his appearance ...
... appeared " at the bottom of a lake " , but this image was only a virtual one for us . What miracle has enabled this man , whom it is my astonishment and good fortune to know , to body forth all that remained , up till his appearance ...
Pagina 45
... appearance of a large number of works within the reach of all were fully to illumine , could not there and then have appeared to turn so decisive a page in history . We were , I repeat , ill - prepared and ill - informed . Above all ...
... appearance of a large number of works within the reach of all were fully to illumine , could not there and then have appeared to turn so decisive a page in history . We were , I repeat , ill - prepared and ill - informed . Above all ...
Pagina 59
André Breton. only differences which our two texts presented appeared to me to be duc essentially to our respective ... appearance , as strange as to anyone else , and you are yourself naturally distrustful of them . Poetically speaking ...
André Breton. only differences which our two texts presented appeared to me to be duc essentially to our respective ... appearance , as strange as to anyone else , and you are yourself naturally distrustful of them . Poetically speaking ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole