What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 42
... automatic writing have always consti- tuted for me a perfect example of this . Similarly , I once desired to have a very special object constructed , corres- ponding to some poetic fantasy . I more or less foresaw what form this object ...
... automatic writing have always consti- tuted for me a perfect example of this . Similarly , I once desired to have a very special object constructed , corres- ponding to some poetic fantasy . I more or less foresaw what form this object ...
Pagina 74
André Breton. passing into automatic writing , the rose which retains only what the painter has allowed it to retain of a rose in a sur- realist painting , and finally the rose , quite different from itself , which goes back into the ...
André Breton. passing into automatic writing , the rose which retains only what the painter has allowed it to retain of a rose in a sur- realist painting , and finally the rose , quite different from itself , which goes back into the ...
Pagina 80
... automatic writing are , are as much as possible distracted from the will to express , as much as possible lightened of ideas of responsi- bility ever ready to act as brakes , and as much as possible kept independent of all that is not ...
... automatic writing are , are as much as possible distracted from the will to express , as much as possible lightened of ideas of responsi- bility ever ready to act as brakes , and as much as possible kept independent of all that is not ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole