What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 37
... beauty , the beauty " envisaged exclusively for passionate ends " . I acknowledge without the least embarrassment my profound insensibility when faced by natural spectacles and works of art that do not immediately produce in me a state ...
... beauty , the beauty " envisaged exclusively for passionate ends " . I acknowledge without the least embarrassment my profound insensibility when faced by natural spectacles and works of art that do not immediately produce in me a state ...
Pagina 39
... beauty that should be served in our time , would lose its whole meaning for me if it were imagined as being in movement instead of in the exact expiration of this movement . In my opinion , there can be no beauty - convulsive beauty ...
... beauty that should be served in our time , would lose its whole meaning for me if it were imagined as being in movement instead of in the exact expiration of this movement . In my opinion , there can be no beauty - convulsive beauty ...
Pagina 42
... beauty , in the deepest sense of the term , must conform , I think it is both necessary and sufficient to add a third in order to do away with all misunderstandings . Such a kind of beauty will only be able to arise from the poignant ...
... beauty , in the deepest sense of the term , must conform , I think it is both necessary and sufficient to add a third in order to do away with all misunderstandings . Such a kind of beauty will only be able to arise from the poignant ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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Veelvoorkomende woorden en zinsdelen
able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole