What is Surrealism?Faber & Faber, 1936 - 90 pagina's |
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Pagina 28
... become dark even so , that the admirable voice which is Dali's will not break when it reaches one's ears , even though certain " materialists " are anxious that the sound of it should be confused with the creaking of his patent ...
... become dark even so , that the admirable voice which is Dali's will not break when it reaches one's ears , even though certain " materialists " are anxious that the sound of it should be confused with the creaking of his patent ...
Pagina 84
... becoming of any object of paranoiac activity , in other words of the ultra - confusing activity rising out of the obsessing idea . This uninterrupted becoming allows the paranoiac who is their witness to consider the images of the ...
... becoming of any object of paranoiac activity , in other words of the ultra - confusing activity rising out of the obsessing idea . This uninterrupted becoming allows the paranoiac who is their witness to consider the images of the ...
Pagina 89
... become aware of the myths on which capitalist culture de- pends , when they have become aware of what these myths and this culture mean for them and have destroyed them , that they will be able to pass on to their own proper develop ...
... become aware of the myths on which capitalist culture de- pends , when they have become aware of what these myths and this culture mean for them and have destroyed them , that they will be able to pass on to their own proper develop ...
Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
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able æsthetic or moral ALBERTO GIACOMETTI ANDRÉ BRETON appear Aragon artistic attempt automatic writing beauty beginning believe Braque bring capable cause ceased conscious consider continue critical cubism D. H. LAWRENCE Dali Dali's definition desire dialectical materialism discovery domain dream elements Eluard emotion epoch everything existence expression exterior world eyes Faber face fact fascism feel genius GIORGIO DE CHIRICO hand hope idea images impossible intellectual Isidore Ducasse kind l'amour la poésie La Révolution Surréaliste lack Lautréamont and Rimbaud less longer marvellous material Max Ernst means method mind movement Naville negation never object ourselves paranoiac particular pass Paul Eluard perfect Picasso plane poetic poetry possible preoccupations present problem question reality reason remains René Crevel Revolution revolutionary rose seems sentence simply social surrealist activity Surrealist Manifesto systematic things thought tion Tristan Tzara turn Tzara values whole