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Pagina 46
Between the negation of this good , a negation brought to its climax by the war ,
and its full and total affirmation ( “ Poetry should be made by all , not one " ) , the
field was not , to our minds , open to anything but a Revolution truly extended into
...
Between the negation of this good , a negation brought to its climax by the war ,
and its full and total affirmation ( “ Poetry should be made by all , not one " ) , the
field was not , to our minds , open to anything but a Revolution truly extended into
...
Pagina 54
It is also a function of the process of seeking after new values in order to confirm
or invalidate existing ones . The fact that certain of the first participants in
surrealist activity have thrown up the sponge and have been discarded has
brought ...
It is also a function of the process of seeking after new values in order to confirm
or invalidate existing ones . The fact that certain of the first participants in
surrealist activity have thrown up the sponge and have been discarded has
brought ...
Pagina 70
ceased to consider both the most suitable and the most likely to be brought to
perfection ; there is no reason why we should renounce it . The other problem we
are faced with is that of the social action we should pursue . We consider that this
...
ceased to consider both the most suitable and the most likely to be brought to
perfection ; there is no reason why we should renounce it . The other problem we
are faced with is that of the social action we should pursue . We consider that this
...
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Inhoudsopgave
SURREALISM AND PAINTING Page | 9 |
EXHIBITION X Y | 25 |
THE COMMUNICATING VESSELS | 31 |
2 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
able activity allow already appear artistic attempt attention automatic beauty becoming beginning believe bring brought called cause ceased certain coming complete consider continue course critical definition desire discovery draw dream elements emotion essentially everything existence experiment expression eyes face fact feel follow forced future give given hand historic hope human idea images immediate impossible intellectual interest kind lack least less limits live longer looking Manifesto marvellous material matter means method mind moral movement never object offer once origin ourselves painting particular pass perfect perhaps Picasso plane poetic poetry possible present problem proper question reality reason recently remains rose seems seen sense sentence simply social surrealism surrealist taken things thought tion turn whole writing
Bibliografische gegevens
| Titel | What is Surrealism? Nummer 43 van Criterion miscellany |
| Auteur | André Breton |
| vertaald door | David Gascoyne |
| Editie | herdruk |
| Uitgever | Faber & Faber, limited, 1936 |
| Lengte | 90 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |